Just sit there, girl, say somethin'
Don't just sit there
Don't just sit there, girl, say somethin'
Don't just sit there
Don't leave the car with the engine runnin'
Hop in, downshift and drive
Don't just sit there
Don't just sit there
Gotàa?million'dollar bakery
'Cause I?got a sweetàtooth for pastries
Eat too much sugar, make you crazy
But not enough leaves you lazy
So go 'head and drip that caramel on me, yeah
Let me Sundae that Sunday, oh Hallelujah
It's twelve at night in the city
Come and bring that new-new body
Over to me, yeah
Hit me when you at the gate and I'll be right there
Waitin' for your body like a sex fiend, yeah
Before we even make it up the steps, I'ma do you in the car
Now you layin' on your back and you starin' at the stars
Hot and heavy in here
We appear out the double R
Like we been to Mars
That could be us
Just sit there, girl, say somethin'
Don't just sit there
Don't just sit there, girl, say somethin'
Don't just sit there
Don't leave the car with the engine runnin'
Hop in, drive
Don't just sit there
Don't just sit there
I know that you feelin' freaky
I can feel it in your body, in your body
I can pull up a capella, when you need me
Or we can do that group shit, I ain't picky
I believe in nothin' but right now
'Cause baby, who knows in another hour
'Cause life is like flowers until you cut it
It starts dyin' on contact, last touches
Never lives forever when it feels perfect
It's twelve at night in the city
Come and bring that new-new body
Over to me, yeah
Hit me when you at the gate and I'll be right there
Waitin' for your body like a sex fiend, yeah
Before we even make it up the steps, I'ma do you in the car
Now you layin' on your back and you starin' at the stars
Hot and heavy in here
We appear out the double R
Like we been to Mars
That could be us
Just sit there, girl, say somethin'
Don't just sit there
Don't just sit there, girl, say somethin'
Don't just sit there
Don't leave the car with the engine runnin'
Hop in, drive
Don't just sit there
Don't just sit there
She like, "Oh shit, it's The-Dream" (What you mean?)
What I mean is I'm a fan, I'm a fiend
I'm a stan, you the king, you the god, you the heart
You the start of this shit
The reason why niggas existed, oh shit
Take a pic
I know you rich as fuck but I'm sick of this (Sick of whatà?)
The same niggas keep pullin' up
Kill songs but can't fuck
I said if I ever ran into you
I'd ask you about Nicki
But all I see is a hood nigga
Ain't thinking 'bout you inside me
Used to fuck to your words
So to see you in person
I don't know if I'm more anxious or nervous
Look, you don't need shit
To you I guess I feel like every other R&B nigga worthless
To you
It's twelve at night in the city
Come and bring that new-new body
Over to me, yeah
Hit me when you at the gate and I'll be right there
Waitin' for your body like a sex fiend, yeah
Before we even make it up the steps, I'ma do you in the car
Now you layin' on your back and you starin' at the stars
Hot and heavy in here
We appear out the double R
Like we been to Mars
That could be us
Just sit there, girl, say somethin'
Don't just sit there
Don't just sit there, girl, say somethin'
Don't just sit there
Don't leave the car with the engine runnin'
Hop in, drive
Don't just sit there
Don't just sit there
The lyrics SAY SOMETHING of THE-DREAM is also present in the album Sextape vol. 4 (2020)
Terius Nash, noto professionalmente come The-Dream, è un cantautore, rapper e produttore discografico statunitense. Nato a Atlanta, in Georgia, il 20 settembre 1977, ha iniziato la sua carriera musicale negli anni '90 come ghostwriter per artisti di spicco come Mariah Carey, Beyoncé e Britney Spears. Nel 2006 ha debuttato come artista solista con l'album "Love/Hate", che ha riscosso un grande successo grazie a brani come "Falsetto" e "I Love You“. The-Dream è noto per il suo stile musicale caratterizzato da melodie avvolgenti, testi introspettivi e una voce distintiva. Ha collaborato con numerosi artisti di fama internazionale, tra cui Rihanna, Kanye West e Jay-Z. Tra i suoi album più importanti ricordiamo "Love vs. Money" (2007), "The Love/Hate King" (2010) e "IV Play" (2013). Il suo lavoro ha influenzato la scena musicale contemporanea, contribuendo a definire il sound R and B degli anni 2000.
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