Sitting in your father's basement
Waiting for the phone to ring
Still in your pajamas, baby
She made up some excuse to see you
You said you didn't feel a thing
Tired of all the dramas, maybe
But still
The moment you hear
The moment you know
I'm sure you'd come running, baby
Sure
The moment you hear
That she really wants you
Packing up your old apartment
Sealing up another box
Wondering what made you choose her
And moving house when you're a stoner
Everything you come across
Makes you feel like such a loser
But still
The moment you hear
The moment you know
I'm sure you'd come running, baby
Sure
The moment you hear
That she really wants you
'Cause the stray that you found
That looked so cute at the pound
Now has you putting her down as rabid
If it was badder than bad
Well, then – you oughta be glad
You can break it like another habit
But still
The moment you hear
The moment you know
I'm sure you'd come running, baby
Sure
The moment you hear
That she really wants you
Oh, sure
The moment you hear
The moment you know
I'm sure you'd come running, baby
Sure
The moment you hear
That she really wants you
Aimee Mann is an American singer-songwriter known for her indie pop style characterized by introspective lyrics and enveloping melodies. She began her career in the 1980s as the lead vocalist of the band 'Til Tuesday, achieving moderate success with singles like "Voices Carry". After the band's disbandment, Mann embarked on a successful solo career, releasing critically acclaimed albums such as "Bachelor No. 2" (1993) and "Magnolia" (1999), the latter being the soundtrack to Paul Thomas Anderson's film of the same name. In 2003, Mann founded her own record label, SuperEgo Records, to have greater control over her music. Her subsequent albums, such as "The Forgotten Arm" (2005) and "@#% and *!" (2017), have solidified her status as a successful independent artist. Some of Aimee Mann's most representative songs include "Save Me", "Wise Up", and "Deathly".
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