Dream of me... we can live how we want now... this world
has no boundaries. We shall never wake up. Lets kill
them all, let's torch the world. This is for us. Let's
meet them for the first time... this isn't awkward is
it? It can't be... there are no worries... all we have to
do is cut the switch... wake the fuck up... this is all
I've ever dreamed... this dream is all I've ever wanted,
cared for, I only hope things haven't changed when I
awake... life doesn't work like this... once a night my
life is yours to create ... mold me and make me the
child of the night, with all the ambition in the
world... my hate and worries cease to be... my fucked up
little head controls me... dream is destiny ... wake the
fuck up... I kill, I love, I end nightmares, I begin
romances, I travel through sexual situations, I only
hope to never wake... I only hope, cause the exterior
world is not making sense anymore... I tend to get
scared... wake the fuck up... no... Whatever you do, don't
be bored. This is absolutely the most exciting time we
could have possibly hoped to be alive. And things are
just starting ... make this dream reality... love you... If
the world that we are forced to accept is false and
nothing is true, then everything is possible ... make
this dream reality...
The lyrics SHEVANEL CUT A FLIP of BETWEEN THE BURIED AND ME is also present in the album Between the buried and me (2002)
Between The Buried And Me è un quintetto metal progressivo proveniente dalla Carolina del Nord, noto per la fusione di generi musicali ampia e variegata che spazia dal soft rock al jazz. Il nome della band deriva da una strofa del brano "Ghost Train" dei Counting Crows: ".Took the cannonball down to the ocean, Across the desert from the sea to shining sea, I rode a ladder that climbed across the nation, Fifty million feet of earth between the buried and me.". Attivi dal 2000, i BTBAM hanno pubblicato un'ampia discografia di album che hanno contribuito a definire il panorama del metal progressivo contemporaneo. Tra le loro opere più rappresentative si annoverano "Colors II" (2007), "The Great Misdirect" (2010) e "Parallax: Hypersleep Dialogues" (2012). Il gruppo è apprezzato per la complessità musicale, le performance live energiche e l'influenza di diversi generi musicali.
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