Flying cars
It's the jet-pack man
Will I ever get the brace down there
Under the swivel sticks and stupid hair
Under the access code and the Face ID
There was a minute where I had it, yeah
Just as the lorry turned and left the air
Under the access code and the Face ID
I'm sick of looking at the windmill gear
A bag of flour and a neck-scarf 'ere
Under the access codes of the new ID
So trendy
So trendy
So trendy
You get seen and you wanna stick to it
So trendy
So trendy
So trendy
You get seen and you wanna stick to it
Hey, it's Back and Bicep Day
Check out all my squiggly veins
Got a fifty-seven screenshots in one hour just in case
I appeal to random peeps
Through a filter they know me
Think I'll wear a mushroom haircut and a cross earring
Wait, it's the jet-pack man
The mysterious jet-pack man
Flying over LAX
I wonder where he's off to next
So trendy (Oh so trendy)
So trendy (Oh so trendy)
So trendy
You get seen and you wanna stick to it
So trendy (Oh so trendy)
So trendy (Oh so trendy)
So trendy
You get seen and you wanna stick to it
And I don't need no jet
And fashion suicide
You got your Top Gun glasses upside-down, you goose, you snide
You know they don't chase you, they always chase we
'Cause everybody wants a piece, we're so trendy
You know they don't chase you, they always chase we
'Cause everybody wants a piece, we're so trendy
You know they don't chase you, they always chase we (Oh so trendy)
'Cause everybody wants a piece, we're so trendy (Oh so trendy)
You know they don't chase you, they always chase we (Oh so trendy)
'Cause everybody wants a piece, we're so trendy (Oh so trendy)
The lyrics SO TRENDY of SLEAFORD MODS is also present in the album Uk grim (2023)
Gli Sleaford Mods sono un duo post-punk formato a Nottingham nel 2007 dal cantante Jason Williamson e dal musicista Simon Parfrement. Nel 2012, Parfrement è stato sostituito da Andrew Fearn. Conosciuti per lo stile musicale abrasivo e minimalista, gli Sleaford Mods si distinguono per le loro invettive contro la Gran Bretagna dell'austerità, la condizione operaia e la cultura consumista. Le loro canzoni spesso incorporano campionamenti di musica elettronica e ritmi industriali, creando un suono unico e potente. Il loro album *Eton Alive* (2014) è stato definito "il manifesto più completo della rabbia working class esasperata dalla dilagante alienazione digitale". Tra i brani rappresentativi: *Tied Up In Notts*, *Austerity*, *Bunch of Kunst*.
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