I don't want to be taken down
Like the rest of them coming up dry
Leaving so little to root for the but we all can see enough of this besides
You're a little frayed, we're a little tried
A hole in the fence, dive
Try another plan, giving up the time
There's no sense in it when we hide
I want to make sure I've tidied up
And lock the doors, pull the shades down tight
We may not be back for ages
and an age is something I don't understand
If this little week was a long year
Who's to say, my dear
Totally agree, everything as was
But I know we got more to go
Won't you leave now, soon enough
Not fast enough for me
We cannot take it so easy
As others will see it
Alright, I don't want to push back the invite
Often I find myself biting my tongue making sure that we all feeling fine
Things may not be so easy for some
I don't want it to feel so contrived
Giving up the day, using up our time
We're watching our own decline
Passing up a chance, pulling out a smile
I see through it all by a mile
I don't want to be taken down like you've been trying to do all this time
Making me wander around without plans
I don't want to keep being so blind
You're a little late
I'm a little tired
We've been doing this for awhile
Totally agree, everything as was
I hope we've got more to come
Won't you leave now soon enough
Not fast enough for me
We cannot take this so easy
Others will see it
Alright, I don't want to push back the invite
Grizzly Bear is a Brooklyn-based folk rock band, comprising Edward Droste (vocals, guitar, omnichord, keyboard) Daniel Rossen (vocals, guitar, keyboards) Chris Taylor (bass, backing vocals, various instruments, producer) and Christopher Bear (drums, backing vocals). Their sound has been categorized as psychedelic pop, folk rock, and experimental, and is dominated by the use of vocal harmonies. The band is one of the few non-electronic artists signed to Warp Records. Notable tracks include "Two Weeks", "Knife", "Sleeping Ute" and "Speak in Rounds". Their debut album, "Horn of Plenty", was released in 2006, followed by "Veckatimest" (2009), widely considered one of their most acclaimed works.
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