La déchirure extrême
Qu'on déteste et qu'on aime
L'art
La déchirure suprême
Qui n'est jamais la même
L'art
Le nom de mon amour est gravé sur le sable
Un ouragan sauvage l'emporte pour toujours
Et les mots que je chante sont pris dans la tourmente
Des rêves qui me hantent
Et deviendront un jour
Que peut l'art contre la misère noire
La musique contre la solitude
Les artistes contre les habitudes
Que peut l'art
Que peut l'art
C'est chargé dans ma tête
Entre l'homme et la bête
L'art
Des métaphores brûlantes
Sur la chair bien vivante
L'art
Regarde les vautours qui tournent sur la plage
Ils tombent des nuages où roulent les tambours
Et les livres qui brûlent dans ce noir crépuscule
Nous reviendrons un jour?
Que peut l'art contre la misère noire
La musique contre la solitude
Les artistes contre les habitudes
Que peut l'art
Que peut l'art
Que peut l'art contre le dérisoire
La beauté face à la misère noire
Que peut l'art
Que peut l'art
Que peut l'art
Le rêve est de retour
En plein coeur du silence
L'art
Le peintre suspendu
A sa toile démente
L'art
Et les mots que je chante
Sont pris dans la tourmente
Des rêves qui me hantent
Et reviendront un jour...
Que peut l'art contre la misère noire
La musique contre la solitude
Les artistes contre les habitudes
Que peut l'art
Que peut l'art
Que peut l'art contre le dérisoire
La beauté face à la misère noire
Que peut l'art...
Bernard Lavilliers is a French singer-songwriter born in Saint-Étienne in 1946. Coming from a modest family, he developed a passion for music at the age of four. After working in a factory, he joined the Communist Party to defend his ideals and in 1965 left for Brazil, an experience that deeply marked his worldview. His return to France led him to be considered a draft dodger and imprisoned for a year. He began singing in cabarets and in 1967 released his first single. In 1968 he released his first album, simply titled "Lavilliers", which later became his stage name. Throughout the 1970s, he achieved success with albums such as "Les poètes" (1972), "Le Stéphanois" (1975) and especially "Les Barbares" (1976). The latter consecrated him as one of the most important French singer-songwriters. Lavilliers is known for his songs that often deal with social, political and travel themes. Among his most representative tracks are "Le Grand Bleu", "La Ballade de la rue des Amants" and "Les Barbares". In 1992 he sang alongside Léo Ferré at the fête de l'Humanité. In 2004 he released the album "Carnets de bord", an ode to travel, and in 2005 the book 'Bernard Lavilliers, Escales' by Gert-Peter Bruch was published.
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