G
It's not right the way that you deal with her
She's not something you handle like cash
To be undressed like Sunday's leftovers
G D G
To be picked on Monday And Tuesday in the trash
D G
That's where she ends up
It's not right the way that you don't listen
She's not something you hang on a wall
To be moved at the earliest convenience
Well you say that you love her
You don't love her at all You don't love her at all
BRIDGE
C
One day you'll look round and she won't be there
G D C
She'll disappear in front of your face
C
She'll walk over you as if you weren't there
G D C
You never really were there anyway (INSTRUMENTAL VERSE)
You can buy her a slice of the good life
But you're buying time that's all
One day she'll pull out the big knife
Well you say that you love her
You don't love her at all You don't love her at all
BRIDGE
One day she'll get wise and drop the big one
And disappear in front of your face
That's what comes from lies and living in one
She never really was there anyway She never really was there anyway
D G C G G D C
That's where she ends up Never really there anyway (5 times)
Graham Parker è un cantautore e musicista inglese nato a Londra nel 1950. Dopo un decennio di esibizioni con band locali, nel 1975 il fondatore di Stiff Records, Dave Robinson, lo ha riunito con i chitarristi Brinsley Schwarz e Martin Belmont, il tastierista Bob Andrews, il bassista Andrew Bodnar e il batterista Steve Goulding. Il risultato è stato Graham Parker and the Rumour, una band che ha raggiunto un notevole successo negli anni '70 e '80. Parker è noto per la sua scrittura incisiva e le sue performance energiche, influenzato da artisti come Elvis Costello e The Kinks. I suoi album più importanti includono "Stick to Me", "The Mona Lisa's Sister" e "Squeezing Out Sparks". Tra i brani più rappresentativi si ricordano "Local Hero", "Discovering Japan" e "Passion Is No Guarantee".
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