G
It's not right the way that you deal with her
She's not something you handle like cash
To be undressed like Sunday's leftovers
G D G
To be picked on Monday And Tuesday in the trash
D G
That's where she ends up
It's not right the way that you don't listen
She's not something you hang on a wall
To be moved at the earliest convenience
Well you say that you love her
You don't love her at all You don't love her at all
BRIDGE
C
One day you'll look round and she won't be there
G D C
She'll disappear in front of your face
C
She'll walk over you as if you weren't there
G D C
You never really were there anyway (INSTRUMENTAL VERSE)
You can buy her a slice of the good life
But you're buying time that's all
One day she'll pull out the big knife
Well you say that you love her
You don't love her at all You don't love her at all
BRIDGE
One day she'll get wise and drop the big one
And disappear in front of your face
That's what comes from lies and living in one
She never really was there anyway She never really was there anyway
D G C G G D C
That's where she ends up Never really there anyway (5 times)
Graham Parker is an English singer-songwriter born in London in 1950. After a decade of performing with local bands, in 1975 Stiff Records founder Dave Robinson put him together with guitarists Brinsley Schwarz and Martin Belmont, keyboardist Bob Andrews, bassist Andrew Bodnar and drummer Steve Goulding. The result was Graham Parker and the Rumour, a band that achieved considerable success throughout the 1970s and 1980s. Parker is known for his incisive songwriting and energetic performances, influenced by artists such as Elvis Costello and The Kinks. His most important albums include "Stick to Me", "The Mona Lisa's Sister" and "Squeezing Out Sparks". Among his most representative songs are "Local Hero", "Discovering Japan" and "Passion Is No Guarantee".
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James Bay
Dirt
Richard Sanderson
Latif
The Faders
Babybird
Sam Brown
Sleaford Mods
Wolf Alice
Maisie Peters
Broadcast
Scheer