Dear son, daddy's never coming back home
he's passed on, claim him as one of your own
my mind's numb, nothing has been clearer than this
they found him on the road, he couldn't get in
and I know, papa never intended for this
to drag me, down into this bottomless pit
I've been thinking just about, all I can do
I think back the loss, and the truth
and I feel like the day he died
I feel like the day he died
walked in, cops talking standing around
I kneeled down, spot him lying there on the ground
I begged please please let me get a minute with him
and they said, don't touch anything kid
I fell back when I just, entered the room
proud to, show up on the end of one's doom
my head's spinning way, out of control
I can't believe its been three long, years ago
and I feel like the day he died
I feel like the day he died
-solo-
and I feel like the day he died
I feel like the day
and i feel like the day he died
I feel like the day
dear son, daddy's never coming back home
I've gone wrong, wish I had the strength to live on
I cant breathe, is there any air left in here
I can't believe, everything I hold disappears
it's gone on, time and time again I'm alone
and dear son, daddys never coming back home
and I feel like the day he died
and I feel like the day he died
and I feel like the day he died
The lyrics THE DAY HE DIED of LIFE OF AGONY is also present in the album Broken valley (2005)
Life of Agony è una band di alternative metal proveniente da Brooklyn, New York. Attiva dal 1989, il gruppo ha raggiunto un notevole successo negli anni '90 con album come "River Runs Red" (1993) e "Ugly" (1996), caratterizzati da sonorità pesanti e testi introspettivi che esplorano temi di dolore, rabbia e speranza. La band è guidata dalla voce potente di Mina Caputo, una figura iconica nel panorama musicale underground. Tra i brani più rappresentativi figurano "Through the Fire and Flames", "Broken" e "No More Tears". Dopo un periodo di pausa, Life of Agony ha ripreso l'attività negli anni 2010 con nuovi album come "A Place Where There's No Pain" (2017) che hanno dimostrato la loro capacità di evolversi senza perdere il loro stile distintivo.
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