If only you'd have known me before the accident
For with that grand collision came a grave consequence
Receptors overloaded, they burst and disconnect
'Til there was little feeling please work with what is left
Oh I need not be flattered that you've never been here before
So there's no need to mention that you've no firsts anymore
But if you let me be your skyline I'll let you be the wave
That reduces me to rubble that looked safe from far away
I don't know why, I don't know why
I return to the scenes of these crimes
Where the hedgerows slowly wind
Through the ghosts of Beverly Drive
I don't know why, I don't know why
I don't know what I expect to find
Where all the news is second hand
And everything just goes on as planned
You wanna teach but not be taught
And I wanna sell but not be bought
So let us not be lonesome
So let us not be lonesome
Lost in between our needs and wants
Our needs and wants
I don't know why, I don't know why
I return to the scenes of these crimes
Where the hedgerows slowly wind
Through the ghosts of Beverly Drive
I don't know why, I don't know why
I don't know what I expect to find
Where all the news is second hand
And everything just goes on as planned
I don't know why, I don't know why
I don't know why, I don't know why
I don't know why, I don't know why
I don't know why, I don't know why
The lyrics THE GHOSTS OF BEVERLY DRIVE of DEATH CAB FOR CUTIE is also present in the album Kintsugi (2015)
Death Cab for Cutie è un gruppo indie rock americano formatosi a Bellingham, Washington nel 1997. Il gruppo è composto da Benjamin Gibbard (voce, chitarra), Chris Walla (chitarra, produzione), Nick Harmer (basso) e Jason McGerr (batteria). Considerati uno dei pilastri del movimento indie rock degli anni 2000, Death Cab for Cutie sono noti per le loro melodie malinconiche e i testi introspettivi che esplorano temi come l'amore, la perdita e il senso di isolamento. Il loro album più famoso è probabilmente *Transatlanticism* (2003), ma hanno anche ottenuto successo con album come *Plans* (2005) e *Codes and Keys* (2011). Tra i brani più rappresentativi si possono citare «Soul Meets Body», «I Will Follow You into the Dark» e «The Sound of Settling».
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