Fire up the heartland
Let the old Lion Roar
Watch em give those bleeding hearts what for
Saw a man on a screen
Tough sort of nut
Chamois leather face
And a laugh like a head butt
Monkey business as usual
They're putting up a bigger fence
Summon up the fear of God
Gonna call it common sense
Hey hey the new tin drum
Little boy blue they\re coming for you
King of the hill and the queen of the slum
Look at them dancing
Dancing to the new tin drum
They enjoy a bit of free fall
Like to cut to the chase
Cut out the middlemanMark out the race
And he talks a good game
He walks a fine line
A tankard and a tan
And a no vacancy sign
Monkey business as usual
They're singing that familiar song
Better pray we can send em on their way
Or we'll all fall down before too long
Hey hey the new tin drum
Little boy blue
They're coming for you
Its fine for a few and its alright for some
Look at them dancing
Dancing to the new tin drum
Riffing on the empire
Sending out a brick bat
Burning little effigies
And welcome mats
Someone in the South East is losing their religion
And its salt meet wound
Cat say hello to pigeon
Blind votes scapegoats
How about that
Talking 26 million
To get em pumped on stats
Get the great back in the name
Get the homeys back to work
Send your heart to Jerusalem
Via Dunkirk
Thea Eve Gilmore, known simply as Thea Gilmore, is a British singer-songwriter and musician born in London in 1968. Considered one of the most influential figures in contemporary British folk-rock music, Gilmore stands out for her poetic songwriting, captivating melodies, and powerful and versatile voice. Her musical career began in the 1990s with the release of several independent albums that enjoyed moderate success among fans of the genre. In 2001 she signed with the independent label Cooking Vinyl, releasing albums such as "Thea Gilmore" (2001) and "Strange Angels" (2003), which brought her greater national visibility. Among her most representative songs are "The Ballad of the Broken Heart", "A Thousand Years", and "The Seagull's Song". Gilmore is also known for her collaborations with artists such as John Martyn, Richard Thompson, and Billy Bragg. Her music is characterized by a strong sense of introspection, poetic sensibility, and a deep attention to social issues.
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