At the very start
There were whispers in the dark
And for all the world to see
There was witchcraft at its heart
And on the autumn air
The scent of bonfires everywhere
And a fell wind stirred the leaves...
The persecution song
Telltale signs of possession
Little Miss Demeanour in the demons bed
Gasps she just could not suppress
After lights-out midst the dead
And a past on which sin cast its darts of wickedness
Time was running faster for disaster
Strange nights were burning
In the furnace of her dreams
A name was uttered, Lilith
Mistress, playmate, master
Such sights were stolen in the throes of ecstasy
And in the thick of all
In the Black Goddess's thrall
With the wood unseen for trees
Victoria stood tall
Promiscuous in step
The Devil breathing down her neck
As jealous zealots stitched apiece...
The persecution song
Telltale signs of possession
Fickle Miss Demeanour hissed and disappeared
To her Sisters of the cloth
She now reeked of Astaroth
Again the curse had surfaced
Sneaking back the pagan years
Weaving webs of great revealing
Hidden in the convent
An evil libido abided, undone
Breathing, deceiving
Feasting on her deviant feelings
She'd clung to her crucifix
Once her torturers begun
Her screams came quick
The miserichord
Den to vice and screw
That had reddened many tongues
Wrung symphonies
Of suffering from her
Many moons hardened pure hearts
Those plagued by her black arts
Their rooms secreting phantom orgies
Vile rites and rifled graves
Mere hours, now towered
Above this bent and beaten flower
Her naked body privy to
The Abbess and her ways
Victoria fought
No guilt was wrought
Just a torrid retort of blasphemies
Nails and crosses vomited forth
From this pretty little whore now arched like Hell
Arched like Hell
At the very start
There were whispers in the dark
And for all the world to see
There was witchcraft at its heart
But then the end grew nigh
A dirge inferno filled the sky
In its customary key...
The persecution song
Telltale signs of obsession
No wailing banshee would dishonour their name
Nuns dragged her to the blasted oak
Storm-clouds threatened holy smoke
They hanged her there like Judas
With the Hellcat in her reined
Time was running faster for disaster
Exorcism, torture, gallows
Now a shallow grave
A name was stuttered, Isaac
Tongue-tied, simple, bastard
They made him dig the pit
Mindless of what it claimed
Cradle Of Filth is an English black metal band formed in 1991 in Suffolk. Considered one of the most influential bands in the genre, they are known for their dark and theatrical musical style, characterized by gothic atmospheres, symphonic melodies, and lyrics often inspired by horror literature and British folklore. Their debut album, *The Principle of Evil Made Flesh* (1994), marked the beginning of a successful career, including albums like *Dusk... and Her Embrace* (1996) and *Cruelty and the Beast* (2000). Among their most representative songs are *Her Ghost in the Fog*, *Midian*, and *From Cradle to Enslave*. Frontman Dani Filth is known for his distinctive vocal style, theatrical performances, and eccentric personality.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!
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