When we talk about the future, dragonfly upon the breeze
When we talk about religion, swallowed up by a machine
I am not walking on the water, illusion in the light
When you learned to meet my gaze, there were halos in your eyes
This living hurts, I heard you laughing
This living hurts, I talk too much
This living hurts, it's meant for ending
This living hurts, but nothing hurts like the rush
Nothing hurts like the rush
But they're all out to get us
Nothing hurts like the rush
When we heard the midnight caller, on that talk show we adore
Where the audience enraptured, static shadows on the floor
So we sit around for hours, just holding up the night
Sharing voices in our heads
Life's a joke in candlelight
This living hurts, I heard you laughing
This living hurts, do I talk too much?
This living hurts, it's meant for ending
This living hurts
But nothing hurts like the rush
Nothing hurts like the rush
But they're all out to get us
Nothing hurts like the rush
If I pray with the violence of life
But you already made up your mind
If lived with the stars you ignite
You have already made up your mind
As we talk about survival, the candle slowly dies
Our waxy fingerprints, let us know that we're alive
Nothing hurts like the rush
Nothing hurts like the rush
But they're all out to get us
Nothing hurts like the rush
Nothing hurts like the rush
Nothing hurts like the rush
Nothing hurts like the rush...
Editors are a British indie rock band formed in Birmingham in 2002. Previously known as Pilot, The Pride and Snowfield, the band consists of Tom Smith (lead vocals, rhythm guitar, piano), Chris Urbanowicz (lead guitar, synthesizer), Russell Leetch (bass guitar, backing vocals) and Ed Lay (drums, percussion). Considered one of the cornerstones of the British indie movement of the 2000s, Editors are known for their dark and melodic sound, influenced by bands like Joy Division and Interpol. Their debut albums, *The Back Room* (2005) and *An End Has a Start* (2007), were met with critical and commercial success, solidifying their position in the British music scene. Among their most representative songs are "Smokers Outside the Hospital Doors", "Munich" and "Blood".
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