stahlgewitter wie aus eisen
lässt mich erzittern und ergreisen
wie die jahrtausend-feuersbrunst
schiessen die türme aus dem dunst
wo ist das schiere morgenrot
ist es bereits des morgens tod?
es zwängt mich durch die leere stadt
wie einen wurm durchs feuchte watt
träume die kein wind verweht
fluch der nacht, einsamkeit
macht sich in dieser stunde breit
ein schmetterling verbrennt im wind
mit seinen träumen wie ein kind
mir schwillt der mund vor seeligkeit
denn meine welt ist jetzt so weit
ich treibe hilflos wie ein klon
in eine andere dimension
ich höre stöhnen, dumpfes klagen
genau wie alte meister sagen
sie schwirrt um mich herum, die pest
ich stosse zu, besorg den rest
träume, die kein wind verweht
ich hab die zukunft eingeholt
doch sie hat mir den arsch versohlt
sie ist ein übler fallensteller
denn du erwachst bei ihr im keller
mit harter wucht und spitzem schrei
bald ist die schwarze nacht vorbei
dann fesselt mich die morgenröte
bis ich am abend wieder töte
am ende dieser folterfahrt
ein junges haupt sich offenbart
aus fernem licht
die sehnsucht schreit
nimm mich zur frau, es ist soweit
Joachim Witt is a German singer-songwriter and musician born in 1949. He is known for his music that spans from progressive rock to pop, often with theatrical and narrative influences. His career achieved great success in Germany during the 1980s, thanks to songs like "Die Brücke", "Eisenherz" and "Bayreuth 3". Witt is considered one of the most important artists of the Neue Deutsche Welle (NDW), a German musical movement that revolutionized the country's music scene. His unique style, characterized by poetic lyrics and memorable melodies, has made him a cultural icon in Germany. Among his most important albums are "Bayreuth 3", "Bayreuth Eins" and "Pop".
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