J'crois bien qu'un pote c'est comme une raclée j'préfère souvent être avec le frère Hakim j'me sépare a peine de ma clé les arbre on changé je lis a travers le regard j'ai pas attendu 13ans pour savoir ( t'étais un crevard ) faite bande a part faite comme bon vous semble m'invite pas dans ton a parte c'est a la médisance tu ressemble depuis tout petit tu ma rejeté j'étais ton pote moi j't'aimais mais ton regard ma éjecté mal aimé depuis mon plus jeune âge ta main attrape mon pied et le tire vers les marécage, a la maternel les larme au yeux j'attendais la main du paternel la main tendue vers les cieux toujours montré du doigt au collège j'avais mais EX collègue on c'est séparé c'est fini saaaa, tu croyait quand tes p'tit tu croit q'les pote c'est pour la vie et puis arrive le jour ou tu t'retrouve seul dans l'puits, y te laisseront mourir de soif les pote c'est comme les tune sa viens et sa part et sa laisse mourir comme un soie, on était complémentaire le cheval est venu nous a bluffer nous respé complémentaire, on ai tomber sous le charme maintenant sous l'ham quand les chacal râle c'est dure a entendre pourtant le choix est simple soit tu sélectionne soit tu marche avec des fils de dingue les intérêt tu dérape v'la pourquoi il m'appelé tes dans la merde personne te sauve tu reste en apnée
il vont t'décevoir tu croit décevoir tellement flagrant mon grand tu voudra plus les voir, certain se marche dessus d'autre se crache dessus d'autre se monte dessus on ma dit même que sa s'tir dessus soit disant pote qui s'dennait la main en étend p'tit oublie les camping les pique nique maintenant c'est en piche de nique l'argent et les femme s'accouple donc forcement les pote se sépare
Kamelancien is a French performer active in the hip hop and rap music scene since 2010. Known for his poetic and introspective style, Kamelancien explores social and personal themes through incisive lyrics and evocative melodies. Among his most important albums are «Le Charme en personne» (2013) and «Ghettographie» (2016), both well-received by critics and the public. His collaborations include artists like Oxmo Puccino and Seth Gueko, solidifying his position in the French music scene. Some of his most representative tracks are «Le Chant du Loup», «La Vie en Rose» and «Ghettographie». Kamelancien remains a prominent artist, capable of engaging audiences with his authentic and profound music.
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