In a lifeless memory
You're not there
A craving in the street
I'm alive and getting an urge to fill the void
With whatever I need
With whatever I need
With whatever I need
I withdraw
You advance
The move is complete
Are you able to see
Cause it's getting too bright for me
Over time we'll dissolve
To a feeling we won't recall
Bring all your heroes
Down to their knees
I don't need nothing
I do as I please
Destiny
Overruled
Through distance
I'm losing
Creation
Of your mind
Through distance
I'm losing
Through distance
I'm losing
All night I've been trying to reach out
How people naturally do when they're young
An attempt to live
To feel weightless and free
In the abyss
For a time
I felt completely alive
Still without legs
We all just sink
In the past
I would have tried harder
But now I know there isn't anything there
And what you, I, we were reaching for
Is something I had in me all along
For a time
I felt completely alive
Still without legs
We all just sink
We see most clear
From lowest points
Through distance we're losing
Hope for our dignity
Bring all your heroes
Down to their knees
I don't need nothing
I do as I please
The lyrics WANTING NOT SO MUCH TO AS TO of THE DILLINGER ESCAPE PLAN is also present in the album Dissociation (2016)
The Dillinger Escape Plan sono stati un gruppo musicale statunitense attivo dal 1997 al 2017, noti per il loro stile di metalcore sperimentale e aggressivo. La musica del gruppo incorporava elementi di free jazz, industrial e noise rock, caratterizzata da tempi irregolari, riff dissonanti e improvvisazioni frenetiche. Il nome del gruppo è un omaggio al criminale John Dillinger, le cui registrazioni audio venivano utilizzate nei primi concerti. Il loro sound era spesso descritto come caotico e violento, con performance dal vivo caratterizzate da grande energia e interazione con il pubblico. Tra i brani più rappresentativi figurano "43% Burnt", "When I Lost My Bet", "Nothing To Fall Back On" e "Farewell Transmission". Album importanti includono "Calculating Infinity" (2004) e "Ire Works" (2007).
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