There's a light in my beyond-hope trip
It seems like a fire that grows fed on
What you would be
Lead me through the unpleasant dark.
Under your sky
You would me live in your world
And all the light i can see could inflames
My dry inside
Please don't let me burn!
Don't laught, I believe in the light (that) I see in your eyes
Don't laught, I let all my wishes fall down in you
Don't laught, show me the truth of your inside
Don't laught, or do you fear of my uncertain soul?
No one knows what you're!
Maybe I'm the cancer that grows among our warrior
in a battle but I'm the warrior of another world
Everyone comes to me slowly dies and i'll kill you all,
There's no victory that can keep me high
As to see my enemies asking help to me...
I'm the hypocrisy that brings the evil,
I'm the devil in the mirror,
I'm the wickedness that let you survive
Leave what you're and everithing you did
that brought you until me
don't you see that I'm your master, the King?
I could leave my armour
The time for me has come
I don't know
Maybe the strenght in myself will rise again,
Help me
Let your spirit free throught the windows of your mind
Falling in the bitter sweetness of my world
Since your soul'll scream a weeping of pain, I'll be there
Everything you'll decide, soon or later you'll come to me!
Tystnaden (The Silence) is a 1963 film directed by Ingmar Bergman, the final installment of his so-called Trilogy of God's Silence, which began in 1961 with Through a Glass Darkly and continued the following year with Winter Light. The film tells the story of a group of monks living in a remote medieval abbey who grapple with existential doubts and the difficulties of faith. The film explores themes such as solitude, religious doubt, the search for meaning in life, and the impossibility of achieving true inner peace. Bergman uses a powerful and evocative visual language, characterized by long silences, static shots, and a monochrome photography that contributes to creating a dark and introspective atmosphere. The film was met with great critical acclaim and is considered one of Bergman's masterpieces.
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