(Mary Chapin Carpenter)
I can read your eyes just like a book
You tell me different, but I know that look
And I don't have to guess what's between the lines
So what in the world am I still doing here
You push me away when I get too near
Saying love's too simple to analyze
So why do I feel confused
Why do I feel so used
Like a worn-out thought you threw away
It wasn't what you said, it's what you didn't say
Where are the windows, where are the doors?
I haven't the key to your heart anymore
I haven't a clue to what's gone wrong
'Cause you look at me sometimes as if I weren't there
You say you're listening, but you never hear
The strains of silence have grown so strong
I never wanted to doubt you
But I'd be better off without you
I'm no good at looking the other way
It wasn't what you said, it's what you didn't say
So look at me one last time
With eyes that still know how to shine
Hold me like you won't let go
But you let go anyway
No one belongs where they're not wanted
You're just a ghost, and my heart is haunted
When I said goodbye, you didn't even beg me to stay
It wasn't what you said, it's what you didn't say
No baby, it wasn't what you said, it's what you didn't say
The lyrics WHAT YOU DIDN'T SAY of MARY CHAPIN CARPENTER is also present in the album Shooting straight in the dark (1990)
Mary Chapin Carpenter è una cantautrice e chitarrista americana, nata a 1958 a Princeton, New Jersey. Conosciuta per il suo songwriting introspettivo e la sua voce calda e rassicurante, ha raggiunto un grande successo negli anni '90 con album come "Time*Sex*Love" (1992) e "Stones in the Road" (1994). Carpenter è stata nominata 5 volte ai Grammy Awards, vincendo il premio per la migliore performance vocale country femminile nel 1993 per il brano "He Thinks He'll Keep Her". Tra i suoi brani più famosi figurano anche "Down at the Twist and Shout", "I Take My Chances" e "Passionate Kisses". Carpenter continua a registrare e esibirsi, mantenendo un seguito fedele di fan che apprezzano la sua musica autentica e le sue storie toccanti.
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