One great man was silent
Of his superiority.
He was openly flattered
And hated silently.
Another spoke of his will to aspire
To create beyond himself
And the self-inflicted impotent man
Felt spat at by all ambition.
The solitary pierced the skin of denial
And the blood would colour the sky.
A futile display to those whose heads
Are always turned towards the ground.
Staring
Into the mud
Into the heart of emptiness
Where they squirm
Desperately
Like wing-clipped flies.
And the whining parasite manTo whom pity and gloating are the same.
This spineless parody of man
Will devour even himself in secrecy.
In secrecy.
Will you love me now
-you, whose feeling of dignity
Is a matter of subtraction?
Will you love me
-now that I have revealed your un-nakedness?
Will you love me now
-you whose perception of justice
Equals your will to corrupt?
Will you love me
-when I cut trough all the layers of your vanity?
Will you love me now
-you, who cling to a heart so fragile
Even your gods must suffer for you?
Could you love truth?
Could you love truth
Even in secrecy?
And they gathered
In their halls of justice
Halls of mirrors
Halls of echoes.
And they gathered
In their houses of worship
Within the walls of the unspoken
Sheltere from the rain
Ihsahn, the stage name of Vegard Sverre Tveitan, is a Norwegian musician, singer-songwriter and composer born in 1974. Known for his work with the black metal band Emperor, Ihsahn embarked on a successful solo career in the 1990s, exploring genres such as avant-garde metal, ambient and electronic music. His music is characterized by a progressive and atmospheric sound, often with classical and experimental influences. Among his most important albums are "Erebos" (2006), "Angl" (2013) and "Telemark" (2018). Ihsahn is considered one of the pioneers of progressive black metal and has collaborated with artists such as Shining, Ulver and Leprous. Some of his most representative tracks include "The Sight Below", "In The Nightside Of Eden" and "Telemark".
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