'68

Without any words (only crying and laughter) lyrics '68

 367

Without any words (only crying and laughter)


I hope you hear my song
I'd rather burn out than to fade away
All the damage is done
The "dramatic one" has gone away

And without any words I can hear your name
It's a different verse but the song is the same
I've paid my dues but the bills all remain for us

Never wanted to lie
But tell 'em I'm doing fine
Tell 'em I'll be okay
And maybe I'll be alright
The saddest songs that I wrote are how I wish you were here
The saddest songs that I wrote are how I wish you were here
The saddest songs that I wrote

And without any words I can hear your name
It's a different verse but the song is the same
I've paid my dues but my bills all remain for us

I said all my soul
I laid it out on the radio
Oh how I wish you could say
"Well done" to me

And without any words I can hear your name
Its a different verse but the song is the same
I've paid my dues but the bills all remain for us
I hope for the best but I'm anxious to see
This revolution is small but it matters to me
I wanted it all but you wanted to breathe
I can never understand why you wanted to bleed for us

All I've ever known is another world where I am not alone
Will my heart just allow you to breathe
I wish you were here, yeah, that's all

Thank you because you correct this lyrics
 

The lyrics WITHOUT ANY WORDS (ONLY CRYING AND LAUGHTER) of '68 is also present in the album Two parts viper (2017)

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Biografia

68 è un album discografico del cantautore britannico Robert Wyatt, pubblicato nel 2013 dalla Cuneiform Records. Le registrazioni risalgono al 1968, dopo il tour americano dei Soft Machine, gruppo di musica rock progressiva con cui Wyatt aveva collaborato in precedenza. L'album presenta una selezione di brani sperimentali e jazzistici che riflettono l'influenza di artisti come John Coltrane e Charles Mingus. Tra i pezzi più noti si annovera "The Ballad of the Sad Young Men", un brano introspettivo con influenze folk. Un particolare interesse risiede nel contributo di Jimi Hendrix al basso in una delle tracce dell'album, rendendolo un documento storico unico della scena musicale americana degli anni '60.

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