(bill fries, chip davis)
Me an earl was haulin chickens on a flatbed out of wiggins, and wed spent all night on the uphill side of thirty-seven miles of hell called wolf creek pass. which is up on the great divide?
We was settin there suckin toothpicks, drinkin nehi and onion soup mix, and I said, earl, lets mail a card to mother then send them chickens on down the other side. yeah, lets give e
Ide.
[chorus]
Wolf creek pass, way up on the great divide
Truckin on down the other side
Well, earl put down his bottle, mashed his foot down on the throttle, and then a couplea boobs with a thousand cubes in a nineteen-forty-eight peterbilt screamed to life. we woke up the chicken
R
Well, we roared up offa that shoulder sprayin pine cones, rocks, and boulders, and put four hundred head of them rhode island reds and a couple a burnt-out roosters on the line. look out below
Use here we go!
Well, we commenced to truckin and them hens commenced to cluckin and then earl took out a match and scratched his pants and lit up the unused half of a dollar cigar and took a puff. says "
Aint this purdy up here.
I says, earl, this hill can spill us. you better slow down or you gonna kill us. just make one mistake and its the pearly gates for them eight-five crates a usda-approved cluckers. you w
Hit second?
[chorus]
Wolf creek pass, way up on the great divide
Truckin on down the other side
Well, earl grabbed on the shifter and he stabbed her into fifth gear and then the chromium-plated, fully-illuminated genuine accessory shift knob come right off in his hand. I says, you wa
Crew that thing back on, earl?
He was tryin to thread it on there when the fire fell off a his cigar and dropped on down, sorta rolled around, and then lit in the cuff of earls pants and burned a hole in his sock. yeah, so
Et him right on fire.
I looked on outta the window and I started countin phone poles, goin by at the rate of four to the seventh power. well I put two and two together, and added twelve and carried five; come up wi
Enty-two thousand telephone poles an hour.
I looked at earl and his eyes was wide, his lip was curled, and his leg was fried. and his hand was froze to the wheel like a tongue to a sled in the middle of a blizzard. I says, earl, i
The type to complain; but the time has come for me to explain that if you dont apply some brake real soon, theyre gonna have to pick us up with a stick and a spoon.
Well, earl rared back, and cocked his leg, stepped as down as hard as he could on the brake, and the pedal went clear to the floor and stayed there, right there on the floor. he said it was sort
E steppin on a plum.
Well, from there on down it just wasnt real purdy: it was hairpin county and switchback city. one of em looked like a can fulla worms; another one looked like malaria germs. right in the midd
The whole damn show was a real nice tunnel, now wouldnt you know?
Sign says clearance to the twelve-foot line, but the chickens was stacked to thirteen-nine. well we shot that tunnel at a hundred-and-ten, like gas through a funnel and eggs through a hen, and w
K that top row of chickens off slicker than scum off a lousiana swamp. went down and around and around and down til we run outta ground at the edge of town. bashed into the side of the feed sto
In downtown pagosa springs.
[chorus]
Wolf creek pass, way up on the great divide
Truckin on down the other side
Wolf creek pass, way up on the great divide
Truckin on down the other side
William Dale Fries Jr. was an American commercial artist who won several Clio Awards for his advertising campaigns. He was also a musician remembered for his character C. W. McCall, a truck-driving country singer that he created for a series of bread commercials while working for an Omaha advertising agency as an art director. Fries performed as McCall in a series of outlaw albums and songs in the 1970s, in collaboration with co-worker Chip Davis who also founded Mannheim Steamroller.
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