Yo, arrête de crier la street, ça fait combien d'temps qu't'y as pas mis les pieds, boy ?
Le jour, t'es sous la couette ; la nuit, tu sors, tu joues les Playboy
Le bitume parisien : j'le connais par cœur ; pour une fois, j'aimerais l'éviter
Au dernier étage d'un building, j'apprécie la vue derrière une baie vitrée
J'suis sur la liste des invités
On m'sert à boire avant qu'mon 'rre-ve' soit complètement vidé
Ouais, ça m'donne envie de faire un clin d'?il au DJ
Pas besoin, le mec a balancé
Mon titre avant qu'j'lui ai dit d'jouer : putain d'bon DJ
Le temps d'un instant, j'oublie ces rageux qui rêvent de m'voir dévaler la pente, ouais
Putains d'rageux qui refusaient d'y croire jusqu'à c'qu'ils voient c'que valait ma bande, ouais
Dites à ces p'tits merdeux qu'j'arrêterai pas tant qu'j'aurai pas fait sauter la banque, ouais
Dites à ces p'tits merdeux qu'j'arrêterai pas tant qu'j'aurai pas pris c'que j'ai à prendre, oh non, non
Yeah, yeah, huh, exploser la banque
Yeah, yeah, prendre c'que j'ai à prendre
Yeah, yeah, exploser la banque
Yeah, yeah
Exploser la banque, yeah, yeah
Prendre c'que j'ai à prendre, yeah, yeah
Exploser la banque, yeah, yeah
Prendre c'que j'ai à prendre, yeah, yeah
Yeah, yeah
Yeah, yeah
Yeah, yeah
Yeah, yeah (yo, yo, yo)
J'risque de 'ber-tom' pour homicide vu c'que j'ai l'intention d'faire
Ils viendront retourner mon domicile et fouiller dans mes affaires
J'aurai déjà pris, là, j'serai sur la Côte, bien accompagné dans un gros fer
Ou dans une grande villa, les 'ieds-p' en éventail, à contempler mes trophées
Elle est bel et bien révolue, l'époque où j'mangeais des pierres
Collectionneur, j'ai dû louer un box pour ranger mes paires
Non, je nettoierai plus jamais les sanitaires
L'argent fait pas l'bonheur, non, non, mais ça libère
Yeah, yeah, yeah, huh, exploser la banque
Yeah, yeah, prendre c'que j'ai à prendre
Yeah, yeah, huh
Yeah, yeah, hun
Comme par hasard, t'arrives après la guerre, tout l'monde est parti
C'est pratique, d'envoyer les 'ens-g' en leur promettant qu'ils tomberont martyrs
Plus facile de détruire que de bâtir
Plus facile de la boucler quand on te dit qu'en France y'a des choses qu'il faut pas dire
Des choses sur lesquelles il faut pas rire, non, non
Exploser la banque, yeah, yeah
Exploser la banque, yeah, yeah
Prendre c'que j'ai à prendre, yeah, yeah
Exploser la banque, yeah, yeah
Prendre c'que j'ai à prendre, yeah, yeah
Lefa, real name Abdel Karim Fall, is a French rapper born in Paris in 1983. He is one of the founding members and most prominent figures of the Parisian rap collective Sexion d'Assaut, with whom he achieved great success in the 2000s. After the group's hiatus in 2015, Lefa embarked on a successful solo career, releasing acclaimed albums such as «L'Esprit du Temps» (2016) and «Le Monde de Lefa» (2018). His musical style is characterized by intricate rhymes, introspective lyrics, and a powerful flow. Among his most notable tracks are «Laisse-moi vivre», «Je suis là», «On s'aime bien» and «L'amour est une chose sérieuse». Lefa is considered one of the most influential French rappers of his generation, appreciated for his authenticity and talent.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!
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