Tystnaden

Lyrics Black ensign Tystnaden

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Black ensign


I've seen my grey sad funeral
In a thousand dreams
Sobbing puppets with the same long faces
Of my beloved
And pain becomes reality

Now night descends once again
and drowns me in this dream
Just the same light
and rain's falling down on my grave

I've seen my funeral...
Black tears torn open
In a thousand dreams...
The features of my beloved

Now night descends once again
and drowns me in this dream
Just the same light
and rain's falling down on my grave

The pain becomes reality...
Black tears torn open
Your morbid desire...
I know you are my dark side
Dyin' in me
Bleed tears for me

Leave the ones you left behind
Open, open up my mind
I see the pain straight in your eyes
Aberrant desire just deep inside
You're only worried for your life
Open, open up my mind
I see your pain like rain outside
My burning flame now fades away

Sad voices are calling
How bitter this morning
While the rain comes falling down
And my life flows to the ground
Wasn't there a dream (last night)
Like a fall never ending
Still water runs clear through my mind

Your pain becomes reality...
Black tears torn open
You're only worried for your life...
My dark side inflicts his

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The lyrics BLACK ENSIGN of TYSTNADEN is also present in the album Fragments (2003)

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Biografia

Tystnaden (The Silence) is a 1963 film directed by Ingmar Bergman, the final installment of his so-called Trilogy of God's Silence, which began in 1961 with Through a Glass Darkly and continued the following year with Winter Light. The film tells the story of a group of monks living in a remote medieval abbey who grapple with existential doubts and the difficulties of faith. The film explores themes such as solitude, religious doubt, the search for meaning in life, and the impossibility of achieving true inner peace. Bergman uses a powerful and evocative visual language, characterized by long silences, static shots, and a monochrome photography that contributes to creating a dark and introspective atmosphere. The film was met with great critical acclaim and is considered one of Bergman's masterpieces.

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