When the heaven falls down
I gulp my sweet poison down and
Withdraw myself into my hide
Oh, I sip my roarin' defeat.
If you'd see in your hands
The blood flowing into thy darkness
Washing away all your pains
This time could build our today
Scream, pain, against this world of gratifications
But against me
This hiding in the shade is burning up your soul
And when you're reborn
Your scars will show me your eyes
Shy great unconsciousness of being carried me
And no one's inclined to admit to me anything
Since I won't find my way
In which I'll meet desires
My Hide in the shade will be the greatest part of me.
When the heavens fall down
I gulp my bitter poison down
Withdraw myself into my hide
Oh, I sip my roarin' defeat.
When we run in the dark
My blood is flowing into the darkness
Washing the whole away
Our hands could build our today.
All I've been, all I've seen
Is the plan of my foolish thoughts
All I've been, all I've seen
Is the foolish plan of my mind wrapped in thought
All I've been, all I've seen
Was created when I was buried in my "rat-race"
All I've been, all I've seen
The night seems so distant and my poison
Gives the suspense to my days
All I've been, all I've seen
The light seems so distant but my poison
Gives the suspense to my days
All I've been, all I've seen
The night seems so distant and my poison
Gives suspense... all I've been
Tystnaden (The Silence) is a 1963 film directed by Ingmar Bergman, the final installment of his so-called Trilogy of God's Silence, which began in 1961 with Through a Glass Darkly and continued the following year with Winter Light. The film tells the story of a group of monks living in a remote medieval abbey who grapple with existential doubts and the difficulties of faith. The film explores themes such as solitude, religious doubt, the search for meaning in life, and the impossibility of achieving true inner peace. Bergman uses a powerful and evocative visual language, characterized by long silences, static shots, and a monochrome photography that contributes to creating a dark and introspective atmosphere. The film was met with great critical acclaim and is considered one of Bergman's masterpieces.
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