Un bar qui donne au fond de la ruelle, un bar.
En plein paris près de la seine, Un bar.
Avec un long comptoir de chêne, et puis un vrai zinc a l’ancienne,
avec un barman flegmatique, fêtard.
Que des mélanges déconseillés, chaudards.
Des trucs à se ruiner la santé, trop tard.
Avec une scène des musiciens, entre deux tournés gagne pain, qui joue ce qu’ils veulent et qui jouent bien, peinards.
Avec au mur dans le décor, miroir, photos jaunies d’artistes morts, l’histoire.
Avec des toiles haïtiennes, et quelques fauves qui reviennent et puis la belle américaine, la star.
Pas une boite de nuit fermée, standard.
Avec des l’ascars a l’entrée, blafards.
Avec un très vieux piano droit, qui a vécu et qui vient tout droit, d’un bar de bleues de détroit, tu vois.
Des guitares de Baden-powell- bossa.
La main gauche de Maurice Ravel, est la.
Une ancienne brasserie transformée, et que des sourds dans le quartier, qui ne viennent pas nous engueuler – le soir.
Dans ce paname stérilisé, ringard.
Pleins de bourgeois traumatisés, hagards.
Plus de musique dans les quartiers, a 22H00 c’est terminé, laissons tourner- laissons tourner
Les gyrophares.
Je suis la comme un exilé - batard.
Plus de son plus de fumée - bizarre.
Comme des hostos climatisés avec des meubles recyclés.
Je tourne en rond, je suis paumé, ouais, ce soir.
Que des DJ sponsorisés, c’est marre.
La capitale de la fête, bonsoir.
Ou sont les vamps, les mystérieuses, les allumées, les travailleuse, les brésiliennes, et les rockeuses, cafard.
J’ai connu de grands spécialistes, un soir.
Des philosophes alternatifs de comptoir, pour quelques effluves alcooliques, ils faisaient des fleurs rhétoriques, et qui connaissaient la musique - bonsoir
(Merci à J-LOOK pour cettes paroles)
Bernard Lavilliers is a French singer-songwriter born in Saint-Étienne in 1946. Coming from a modest family, he developed a passion for music at the age of four. After working in a factory, he joined the Communist Party to defend his ideals and in 1965 left for Brazil, an experience that deeply marked his worldview. His return to France led him to be considered a draft dodger and imprisoned for a year. He began singing in cabarets and in 1967 released his first single. In 1968 he released his first album, simply titled "Lavilliers", which later became his stage name. Throughout the 1970s, he achieved success with albums such as "Les poètes" (1972), "Le Stéphanois" (1975) and especially "Les Barbares" (1976). The latter consecrated him as one of the most important French singer-songwriters. Lavilliers is known for his songs that often deal with social, political and travel themes. Among his most representative tracks are "Le Grand Bleu", "La Ballade de la rue des Amants" and "Les Barbares". In 1992 he sang alongside Léo Ferré at the fête de l'Humanité. In 2004 he released the album "Carnets de bord", an ode to travel, and in 2005 the book 'Bernard Lavilliers, Escales' by Gert-Peter Bruch was published.
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