Glas
Ein lichtschluckender Hintergrund
Als die Zukunft sich im Gleichschritt mit der Gegenwart befand,
fiel mein Blick auf das Spiegelbild.
Von der Faszinatioin des Zeitpunktes gebannt,
vergaß ich zu denken.
Allein der Blick in das Auge meines Spiegelbildes ist mir möglich.
Seitenverkehrt trifft ihn dasselbe Licht,
das mir zu diesem Abbild verhilft.
Nur schwach !
Deshalb die Farbe grau !
Das Gesicht meines Spiegelbildes scheint meine Konturen aufzusaugen.
Mein Ursprungskörper vor dem Glas verblaßt, verliert Substanz.
Ich nähere mich dem Spiegelbild und verwandele mich in einen Zyklopen,
der sich an meinen Körper schmiegt.
Kühle Glätte begrüßt meine Lippen, meine Haut.
Der gedachte Kuß meines kalten Spiegelildes weckt in mir die Sehnsucht,
diesem näher zu sein.
Die Augen geschlossen presse ich meinen Leib
immer intensiver und mit geballter Sehnsucht
an mein eigenes Spiegelbild.
Und er scheint dies zu bestärken.
Knirschend zerbricht die Grenze
Millionenfach zerschneiden wir uns
gegenseitig zu Fleisch und Kristallen
um eins zu werden.
Gemeinsam stürzen wir in die Leere
Vereinigt begrüßen wir den Boden,
der immer näher kommt ...
The lyrics DAS SPIEGELBILD of GOETHES ERBEN is also present in the album Tote augen sehen leben (1994)
Goethe's Erben è un gruppo musicale tedesco formatosi nel 1989. Conosciuti per il loro sound darkwave e post-punk, hanno pubblicato diversi album di successo tra cui "Nichts bleibt wie es war", "1. Kapitel", "Der Die Das", "Schach ist nicht das Leben" e l'album omonimo "Goethes Erben". Il gruppo è guidato da Oswald Henke, figura chiave della scena musicale tedesca degli anni '90. Le loro canzoni spesso esplorano temi di isolamento, alienazione e la ricerca di identità in un mondo complesso. Tra i brani più rappresentativi si possono citare "Der Tag", "Die Nacht", "Schach ist nicht das Leben" e "Alles was zählt". Goethe's Erben hanno contribuito a definire l'estetica darkwave tedesca, influenzando generazioni di musicisti.
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