Es macht mir eigentlich keine Freude
in meine eigene Hand zu schneiden,
rote Tränen zu beobachten,
die einen kleinen Rinnsal bildend mich verlassen.
Die einzige Möglichkeit mich an mir zu rächen
Zu sühnen für das was ich sprach und tat.
Ohne bewußt gehandelt zu haben.
Es kommt mir vor als hätte ich nie gelacht
nie geweint,
gelacht geweint
Die Bilanz zeigt aufwärts
Doch verliert sich die schwarze Linie am trüben Horizont der brennt.
Mit steigender Tendenz Richtung Unendlichkeit
Weit entfernt von so etwas wie Gefühlen.
Ich spüre nicht das Stück Fleisch,
daß anstatt meiner rote Tränen weint.
Im Moment noch wenige
Und jeder Schritt abseits der Linie wird bestraft
mit flüsternden Worten die mehr rote Tränen fordern.
Hört nur wie sie flüstern und wispern
schimpfen und geifern
stechen und bohren
zerren und beißen
fordern: rote Tränen zu weinen
und schließlich darum betteln
Endlich rote Tränen zu weinen
Endlich rote Tränen zu weinen
... rote Tränen zu weinen
... Tränen zu weinen
... zu weinen
... weinen
Goethe's Erben is a German musical group formed in 1989. Known for their darkwave and post-punk sound, they have released several successful albums including "Nichts bleibt wie es war", "1. Kapitel", "Der Die Das", "Schach ist nicht das Leben" and the self-titled album "Goethes Erben". The group is led by Oswald Henke, a key figure in the German music scene of the 1990s. Their songs often explore themes of isolation, alienation and the search for identity in a complex world. Among their most representative tracks are "Der Tag", "Die Nacht", "Schach ist nicht das Leben" and "Alles was zählt". Goethe's Erben have contributed to defining the German darkwave aesthetic, influencing generations of musicians.
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