Aïe aïe aïe aïe aïe
Où va l'humanité ?
Aïe aïe aïe aïe aïe mon dieu
Le monde est décevant
J'ai protesté contre le racisme, le tribalisme
Ca n'a rien changé
J'ai crié contre les conflits, la répression et l'oppression
Aïe aïe aïe aïe aïe ces affameurs du peuple
Qu'ils sont têtus
Aïe aïe aïe aïe aïe c'est pourquoi
Tout est foutu
Dans ce monde où le système a rendu le pauvre impuissant et muet
Oui partout dans ce monde, la loi décidée par les hors la loi
Ce monde de capital où la moralité n'est plus capitale
J'ai le sentiment de prêcher nuit et jour dans un désert
J'ai boycotté, on a marché, on a dénoncé
Ca n'a rien changé
Nous étions optimistes, on a rêvé, on a espéré
Mais rien n'a changé
Aïe aïe aïe aïe aïe
Où va l'humanité ? je suis fatigué
Aïe aïe aïe aïe aïe
Oh mon Dieu, je suis fatigué
Au secours, au secours, au secours
Au secours, au secours, au secours
Au secours mon Dieu, délivrance mon Dieu
Je suis fatigué, oh mon dieu
Délivre tes enfants des mains de Babylone
Je suis fatigué, je suis fatigué
Tiken Jah Fakoly, stage name of Doumbia Moussa Fakoly, is an Ivorian singer-songwriter and political activist born in 1969. Considered one of the most important exponents of African reggae, Tiken Jah Fakoly stands out for his incisive music that tackles social and political issues with a strong critical charge. His songs denounce social injustices, corruption and poverty in Africa, but also violence and oppression. Fakoly has collaborated with numerous international artists, including Manu Chao and Alpha Blondy, contributing to the spread of African reggae worldwide. Among his most representative tracks are "Yèyé", "La vie est belle" and "Le combat du peuple". The album "Tiken Jah Fakoly" from 1998 is considered a turning point in his career, consolidating his status as a prominent artist in the African music scene. Fakoly continues to be an important voice for social justice and peace in Africa.
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