You can call her trendy
And superficial
An elegant hustler
But don't you call her no tramp
I said it don't take too much
To make her happy
Wine or dine her
Or introduce her (now now mhmm mhmm)
To a few fine people
That gal, she'll be yours for the taking
You can make her, any way you wanna
When you find out she's just using you
Don't you call her no tramp
And when she leaves you cause she don't need you no more and you feel like a fool
Don't you call her no tramp
I said I said uh huh oh yeah
You can call her stupid
And superficial
A chic shakin' hustler
But don't you call her no tramp
It don't take too much
To make her happy
Just giver her some spare change
She might treat you alright
She'll be ready for your arms (now!)
With her head up in the sky
When you find out where she's really at
Don't you call her no tramp
And when you catch her with your best friend, slap that gal's face
But don't you call her no tramp
No no no no no
I said it don't take too much
To maker her happy
So don't you call her no tramp, I said
Don't you call her no tramp
Don't you call her no tramp
Don't you call her no tramp
Don't you call that girl dirty
Don't you call her no sleazy skive
Don't you call that girl triflin'
Don't you call her no tramp
No no no no no
Don't you call her no tramp (Don't you call that girl dirty)
Don't you call her no tramp (Don't you call her no sleazy skive)
Don't you call her no tramp (Don't you call that girl triflin')
Don't you call her no tramp, no no no no no!
Don't you call her no tramp
Don't you call her no tramp
Don't you call her no tramp
Don't you call her no tramp, no no no no no!
Betty Davis (born Betty Mabry) was an American funk and soul singer active between the 1970s and 1980s. Considered an icon of the underground funk movement, Davis influenced generations of musicians with her energetic stage presence, powerful vocal style, and provocative songs that addressed themes such as sex, female empowerment, and social criticism. Born in Pittsburgh, Pennsylvania, Davis moved to New York to pursue a musical career. She began by collaborating with artists like Miles Davis (with whom she was not related) before launching her solo career in 1973. Her debut album, "Betty Davis", was both a critical and commercial success, solidifying her place in the underground funk scene. Among her most representative tracks are "Nasty Gal", "If I'm In Heaven" and "Anti Love Song". Although she did not achieve mainstream fame like other artists of the period, Davis is today recognized as a fundamental figure in the history of funk and a visionary artist who challenged musical and social norms of the time.
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