He was a big freak!
I used to beat him with a turquoise chain, yeah
When I was his woman, I pleased him
I’d lead him to the tip
When I was his mistress, oh oh
I gave him cheap thrills
When I was his princess, silk and satin and lace
I'd wear for him
He was a big freak!
Flim, flam, floozy, fantasy
When I was his housewife
I’d scrub him, I’d love him, I’d cook his meals
When I was his geisha, oh oh
I got down and hips
When I was his flower
I’d answer to the name of Rosie May
He was a big freak!
I used to say all kinds of dirty thangs
When I was his mother
I’d hold him like a baby in my arms
When I was his lover
Oh, I drive him out of his mind
When I was his daydream
Ain’t no need to tell you what that means
I’d tie him up with my turquoise chain
I used to tie him up
Yeah, he couldn’t get enough
Nah, he’d be on the floor
Oh, begging me for more
He was a big freak!
I used to say all kinds of dirty thangs
He was a big freak!
Film, flam, floozy, fantasy
He was a big freak!
Kept his mind entertained all the time
I’d get him off with my turquoise chain
I used to whip him
I used to beat him
Oh, he used to dig it
Yeah, he used to really dig it
He was a big freak!
Pain was his middle name
He was a big freak!
He used to laugh when I’d make him cry
He was big freak!
A big freak, yes he was!
I used to whip him with my turquoise chain
Betty Davis (born Betty Mabry) was an American funk and soul singer active between the 1970s and 1980s. Considered an icon of the underground funk movement, Davis influenced generations of musicians with her energetic stage presence, powerful vocal style, and provocative songs that addressed themes such as sex, female empowerment, and social criticism. Born in Pittsburgh, Pennsylvania, Davis moved to New York to pursue a musical career. She began by collaborating with artists like Miles Davis (with whom she was not related) before launching her solo career in 1973. Her debut album, "Betty Davis", was both a critical and commercial success, solidifying her place in the underground funk scene. Among her most representative tracks are "Nasty Gal", "If I'm In Heaven" and "Anti Love Song". Although she did not achieve mainstream fame like other artists of the period, Davis is today recognized as a fundamental figure in the history of funk and a visionary artist who challenged musical and social norms of the time.
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