You can look at a rose, just any rose
Accept that it's perfect
Let it dry on the wall
But what is its purpose?
What is its purpose?
I could take in your eyes
Still never know
Bathe in the wind
Then just watch it blow
Find that it's curtains
It's curtains for me
It's curtains for me
It's curtains
Covered in ash
Holding our bones
Called out their names
Words just felt cold
They never came home
Never came home
Lookin' hard for the truth
Start talking in tongues
This wool covers my eyes
Covers the sun
Learn how to run
Twisted up vines
To carve yourself in
It's carved
I could take on your lies
Admit that I'm wrong
That there was a place
That you looked at those stones
That you built up a wall
To hide yourself in
To hide yourself in
You hide
I could look at a rose
Not like any rose
There is a fault
Out with it, go
Find on the surface
Flowers mixed with leaves
Flowers mixed with leaves
Flowers
The lyrics FLOWERS of NATHANIEL RATELIFF is also present in the album Flowers (2025)
Nathaniel David Rateliff è un cantautore statunitense nato nel 1980 a Hermann, Missouri. La sua musica fonde elementi di rhythm and blues, folk, americana e rock vintage, creando un sound caldo e autentico che lo ha reso uno dei cantautori più apprezzati degli ultimi anni. Rateliff ha iniziato la sua carriera musicale suonando in locali del suo stato natale prima di trasferirsi a Denver, Colorado, dove ha formato il gruppo The Night Sweats. Il loro album d'esordio omonimo (2015) è diventato un successo internazionale, grazie al singolo "S.O.B." che ha raggiunto le classifiche americane. Rateliff è noto per le sue performance energiche e coinvolgenti, caratterizzate da una voce potente e emotiva. Oltre ai The Night Sweats, Rateliff ha collaborato con artisti come Sturgill Simpson e la band indie folk The Lumineers. Tra i suoi album più importanti ricordiamo "Tearing at the Seams" (2018) e "And It's Still Alright" (2021). Alcuni dei brani più rappresentativi di Nathaniel Rateliff sono: "S.O.B.", "I Need Never Get Old", "Look It Here", "Wasting Time".
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