Celtas Cortos

Gaia lyrics Celtas Cortos

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Gaia


Pedi lluvia y me echaron al aljibe
Me dan lagrimas si quiero ver el mar
Pedi un beso y ve lo que me han dado
Ya se que escupir es una forma de besar
Pero siguiendo este fresco enunciado
Tal vez llover sea una forma de llorar
Incendios forestales si pido calor
Acrbatas si lo que quiero es amor
Pedi fuego y con el cuerpo ya no puedo
Ya se que herrar es como pedir lealtad
Pero siguiendo la luz del mas cuerdo
Tal vez arder sea una forma de sanar
He kue yamba O domina ya
He kue yamba O domina pronto ya
He kue yamba O domina ya
He kue yamba O domina pronto ya
Sofoco antidisturbios si pido aliento
Cuchicheos si mi kena he de tocar
Pido espacio al viento painiciar mi vuelo
Ya se que caer es una forma de volar
El aire estremece la piel del arroyuelo
Y el ulular del viento es ludico cantar
Pido tierra y me dan campos minados
Transgnicos por miel de mi palmar
Pido un trozo pa sembrar con todo el respeto
Ya se que la tumba es un puerto pa regresar
Ahora retumba la voz del ancestro
Tal vez los sismos sean dulce despertar
He kue yamba O domina ya
He kue yamba O domina pronto ya
He kue yamba O domina ya
He kue yamba O domina pronto ya
Gaia ama Gaia, el gallo de tres pies
Haya amor, que haya! El hombre y la mujer
Santa Manta Raya y un guante del revs
Vuelvo a la Nueva Vizcaya
Y el homo sapiens da traspis

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The lyrics GAIA of CELTAS CORTOS is also present in the album C´est la vie (2003)

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Biografia

Celtas Cortos è un gruppo musicale spagnolo di genere folk rock, attivo dal 1987. Originario di Madrid, il gruppo si distingue per l'utilizzo di strumenti tradizionali celtici e la fusione con sonorità latineggianti. Il nome del gruppo deriva dalla lingua galiziana e significa "Corti Celtiche". Tra i brani più famosi ci sono "Tranquilo Majete", "20 Soplando Versos" e "Nos vemos en los bares". Celtas Cortos ha collaborato con artisti come Joan Manuel Serrat e Ana Belén. Il gruppo è considerato uno dei pilastri del movimento folk rock spagnolo, influenzando diverse generazioni di musicisti.

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