I hit the hay, I mean the dirty concrete
On the edge of Jelson's where the shops and junction meet
I felt the hands as they all jumped in
Tearing at my jeans like they were tissue in the sink
Maggots ain't worms, they ain't even an near an inch
Gina's gonna spread it 'round the school, the fuckin' bitch
Maggots ain't worms, I'm talking millimetres here
Gina's gonna spread it 'round the shops that I got a wiener
Gina was the leader when
They pulled my pants down so hard and said
"He's maggot man!"
I think I'm Taylor Dane
Tell it to my heart on the Barratt Estate
Gina had a bottle party
Where I learned to smoke and I learned to see
That in the end it's just shit and death
On ermine close in the cherry orchard
Why do I get so lonely?
Why do I get so bored?
Why do I get so lonely?
I think I'm out there
Gina was
Gina said she didn't have a light
As I crawled out the Phoenix one Saturday night
'Cause in the end it's just shit and death
If your mum and dad are the walking dead
Why do I get so lonely?
Why do I get so bored?
Why do I get so lonely?
I think I'm out there
Weet-woo!
Come on, I see a better day
Of drawings from my year five
And from my dreams away
Weet-woo!
Come on, I see a better day
Of drawings from my year five
And from my dreams away
I've fallen down, oh fuck it
I cannot get away
I'm on the dirty concrete
They're tearing at my waist
I've fallen down, oh fuck it
I cannot get away
I'm on the dirty concrete
Why do you treat me this way?
Why do I get so lonely?
Why do I get so bored?
Why do I get so lonely?
I think I'm out there
Gina was
Gina was
Gina was
Sleaford Mods are a post-punk duo formed in Nottingham in 2007 by vocalist Jason Williamson and musician Simon Parfrement. In 2012, Parfrement was replaced by Andrew Fearn. Known for their abrasive and minimalist musical style, Sleaford Mods stand out for their diatribes against austerity Britain, the working class condition, and consumerist culture. Their songs often incorporate samples of electronic music and industrial rhythms, creating a unique and powerful sound. Their album *Eton Alive* (2014) has been called "the most complete manifesto of working-class rage exasperated by widespread digital alienation". Representative tracks include: *Tied Up In Notts*, *Austerity*, *Bunch of Kunst*.
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