I hit the hay, I mean the dirty concrete
On the edge of Jelson's where the shops and junction meet
I felt the hands as they all jumped in
Tearing at my jeans like they were tissue in the sink
Maggots ain't worms, they ain't even an near an inch
Gina's gonna spread it 'round the school, the fuckin' bitch
Maggots ain't worms, I'm talking millimetres here
Gina's gonna spread it 'round the shops that I got a wiener
Gina was the leader when
They pulled my pants down so hard and said
"He's maggot man!"
I think I'm Taylor Dane
Tell it to my heart on the Barratt Estate
Gina had a bottle party
Where I learned to smoke and I learned to see
That in the end it's just shit and death
On ermine close in the cherry orchard
Why do I get so lonely?
Why do I get so bored?
Why do I get so lonely?
I think I'm out there
Gina was
Gina said she didn't have a light
As I crawled out the Phoenix one Saturday night
'Cause in the end it's just shit and death
If your mum and dad are the walking dead
Why do I get so lonely?
Why do I get so bored?
Why do I get so lonely?
I think I'm out there
Weet-woo!
Come on, I see a better day
Of drawings from my year five
And from my dreams away
Weet-woo!
Come on, I see a better day
Of drawings from my year five
And from my dreams away
I've fallen down, oh fuck it
I cannot get away
I'm on the dirty concrete
They're tearing at my waist
I've fallen down, oh fuck it
I cannot get away
I'm on the dirty concrete
Why do you treat me this way?
Why do I get so lonely?
Why do I get so bored?
Why do I get so lonely?
I think I'm out there
Gina was
Gina was
Gina was
The lyrics GINA WAS of SLEAFORD MODS is also present in the album The demise of planet x (2026)
Gli Sleaford Mods sono un duo post-punk formato a Nottingham nel 2007 dal cantante Jason Williamson e dal musicista Simon Parfrement. Nel 2012, Parfrement è stato sostituito da Andrew Fearn. Conosciuti per lo stile musicale abrasivo e minimalista, gli Sleaford Mods si distinguono per le loro invettive contro la Gran Bretagna dell'austerità, la condizione operaia e la cultura consumista. Le loro canzoni spesso incorporano campionamenti di musica elettronica e ritmi industriali, creando un suono unico e potente. Il loro album *Eton Alive* (2014) è stato definito "il manifesto più completo della rabbia working class esasperata dalla dilagante alienazione digitale". Tra i brani rappresentativi: *Tied Up In Notts*, *Austerity*, *Bunch of Kunst*.
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