Every day no justice
Every day, yeah, no justice, oh wee
Let me tell you 'bout a story that has been in the news
You think it will be done but we’re still singing the blues
Tied up on a tree and in the shape of a noose
Racism is hot, when it's gonna stop?
Just when you think it's over, it has left us confused
As to why there’s so much bigotry and racial abuse
There never is a winner, yes, we all gonna lose
Time to let it go 'cause there is a no-no
Justice in Jena
Symbol of hate
Racism on deh
Let's eradicate
No, no, no, no, no, no, no, no, no
No, no, no, no, no, no, no, no, no
A message to you fools, oh, hear the words of the wise
How long we are to a life of hate and despise
So many stood for love and even laid their lives
Unity is bliss, stop the prejudice
As long as there's injustice they will be a protest
A human rights denied create a civil unrest
A segregated country is a nation unblessed
Jim Crow law's full of flaw, there is no
Justice in jena
Symbol of hate
Racism on deh
Let's eradicate
No, no, no, no, no, no, no, no, no
No, no, no, no, no, no, no, no, no
Come vanq dem
Justice in Jena, no
Symbol of hate, yeah
Racism on deh, on deh
Let's eradicate
Eradicate
Annihilate
Obliterate
Amputated
Abdicate
Prohibited
Exterminate
No justice in Jena, no
No justice in Jena, no, no, no, no
No justice
Hatred, won't you go away?
Dogmatism, keep at bay
And so it’s no, no, no, no
No justice, no peace
No justice, no peace, no
No justice
Steel Pulse is one of the most successful British reggae bands, both creatively and commercially. Hailing from Handsworth, Birmingham, they began performing in the 1970s, blending authentic reggae roots with jazz and Latin influences. This unique approach earned them an international following, leading to the release of their debut album, "Handsworth Revolution", in 1978. Widely considered a landmark in British reggae, the album marked the beginning of a successful career. Before the end of the 1980s, Steel Pulse won a Grammy Award, cementing their status as prominent crossover reggae artists. In subsequent years, the band returned to roots sounds, incorporating elements of dancehall and hip-hop. Notable tracks include "Ku Klux Klan", "Sound System", "Steppin' Out" and "Jah Jah City".
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