Amasaganalo
Stop you coming and come
Stop you coming and come
Stop you coming and come
Stop you coming and come
This is a message
A message from the elders, yeah (Ancient ones)
'Cause we living in the west
And we plenty miles away from home
'Cause they are calling
Yes, they're our ancestors, yeah
And it's coming from the roots to my boots
And is shaking my bones, so, so
So stop you coming and come
Stop you coming and come
Stop you coming and come
Stop you coming and come
You could a Twelve Tribe
Or NyahbinghiOr Judah Coptic or even Bobo Shanty
It was promised by His Imperial Majesty
The inheritance of Shashamane
Stop you coming and come
Stop you coming and come
Repatriation
Building us a brand new nation
Only then the prejudice and bigotry
Will ever leave us alone
Move out of Babylon
A thousand million strong, strong
Lalibella is the place
For the healing of the human race, so, so, so
So stop you coming and come
Stop you coming and come
Stop you coming and come
Stop you coming and come
You could a Twelve Tribe
Or Nyahbinghi
Or Judah Coptic or even Bobo Shanty
It was promised by His Imperial Majesty
The inheritance of Shashamane
Stop you coming and come
Stop you coming and come
It's our destiny
To know our history
No more slavery
Born to be free
African legacy
We never a colony
An African dynasty
For you and me
The African dynasty
Is part of me
African dynasty
Is part of me
Born to free
Our liberty
Steel Pulse is one of the most successful British reggae bands, both creatively and commercially. Hailing from Handsworth, Birmingham, they began performing in the 1970s, blending authentic reggae roots with jazz and Latin influences. This unique approach earned them an international following, leading to the release of their debut album, "Handsworth Revolution", in 1978. Widely considered a landmark in British reggae, the album marked the beginning of a successful career. Before the end of the 1980s, Steel Pulse won a Grammy Award, cementing their status as prominent crossover reggae artists. In subsequent years, the band returned to roots sounds, incorporating elements of dancehall and hip-hop. Notable tracks include "Ku Klux Klan", "Sound System", "Steppin' Out" and "Jah Jah City".
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