I tried to get to sleep but I had to throw up
I drank a cup of coffee decided to stay up
I watched the television took a sleeping pill
I had some awful dreams that seemed way too real
Khrissy, always on my mind
Forever all the time
You lift me up
Yeah you trip me up
Yeah you mix me up
You fix me up
Now I've learned to punch the clock I'm keeping track of time
When I need to pay the bills I get to work on time
No time for sleepless nights and drinking until dawn
No time for restless flights I must get moving on
Khrissy, always on my mind
Forever's a long time
You lift me up
Yeah you trip me up
Yeah you mix me up
You fix me up
You're in the shadows
You're lurking in the corners
I feel you following me
Silently, invisibly
(Your name is... ???)
You wake me up in the middle of the night
And I can't remember what was dream
And what was for real
You screw me up
Yeah you shoot me up
Yeah you suck me up
Yeah you chew me up
Took seven hits of acid couldn't play the show
What was goin' through my mind I guess you'll never know
It was the coolest thing I'll never do again
Now there's no backing out, this really is the end
Khrissy, you played it very fine
For the final time
You hit me up
Yeah you trip me up
Yeah you pick me up
Yeah you fix me up
Khrissy
Oh Khrissy
Khrissy (x2)
The Dead Milkmen are a satirical punk band formed in Philadelphia, Pennsylvania, in 1983. The group, initially consisting of Joe Genaro (known as "Joe Jack Talcum") on guitar and vocals, Dave Schulthise ("Dave Blood") on bass, Dean Sabatino ("Dean Clean") on drums, and Rodney Linderman ("Rodney Anonymous") on vocals and keyboards, gained a certain popularity in the 1980s thanks to their punk rock sound characterized by ironic and often grotesque lyrics. Their songs, such as "Punk Rock Girl", "Bitchin' Camaro" and "Big Lizard in My Backyard", became cult hits among fans of the genre, while the album "Fresh Blood" (1985) is considered a classic of the underground punk scene. The Dead Milkmen continued to record music until the 1990s, always maintaining a strong satirical identity and an original musical approach.
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