Madeleine, trop de peine
Il faudrait qu'elle oublie
Ces amours lointaines
Qui reviennent chaque nuit
Quand Madeleine dort
Sur sa chevelure d'or... fanée
Un soleil lourd de silence
?crase l'alentours
Nulle fleur ne danse
Entre les dalles de la cour
Où Madeleine marche
Dans sa robe de patriarche... froissée
La voix d'un homme dans ses yeux
Lui dit que ce n'était qu'un jeu
Qu'ils rebâtiront leur bonheur
Et qu'un enfant brûlera leur coeur
Que la vie pourra repartir
Qu'on balayera les souvenirs
Tout comme autrefois
Alors le temps pour sourire
Elle fuit sa prison
Pour briser dans son délire
Les chaînes du pardon
Et Madeleine rit
Comme si tout était fini... passé
La voix d'un homme dans ses yeux
Lui dit que ce n'était qu'un jeu
Qu'ils rebâtiront leur bonheur
Et qu'un enfant brûlera leur coeur
Que la vie pourra repartir
Qu'on balayera les souvenirs
Tout comme autrefois
Mais d'autres matins viendront
Rallumer sa blessure
Qu'elle cache derrière sa longue
Robe de bure
Et Madeleine sait
Qu'elle n'en finira jamais... jamais
Et c'est bien trop de peine
Trop pour soeur Madeleine
Et c'est bien trop de peine
Trop pour soeur Madeleine
Et c'est bien trop de peine
Trop pour soeur Madeleine
Francis Cabrel is a French singer-songwriter and guitarist born in Agen on November 23, 1953. Heavily influenced by Bob Dylan, he has released numerous albums that primarily fall within the folk genre, with occasional forays into blues or country. Several of his songs, such as "L'encre de tes yeux" and "Petite Marie", have become enduring favorites in French music. Others, such as "C'etait l'hiver", about the suicide of a young girl, have since been covered by other artists such as Canadian Isabelle Boulay. Among his most important albums are "Les Morts de la nuit" (1980) and "Hors-Saison" (1987). Cabrel is known for his catchy melodies, poetic lyrics, and intense interpretation.
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