[Phase II]
words manifest
layin in the rest
one to the chest,
two for the flash three in the back on the attack
funerals 'n' ?? gots to be like that
Rit:
why'd you wanna front
when you're not for real
(se non sei vero)
why'd you wanna front
when you're not in the deal
(se non sai la cosa)
why'd you wanna front
just playin' a part
(giocando un ruolo)
why'd you wanna front
not comin' from the heart
(se non ti viene dal cuore)
[Chief]
Non ci si crede è più fastidioso di quando mi pestano un piede
o nel deserto avvolto dalla sete
l'adrenalina sale, tocca il massimo
mi trasforma in un soggetto pessimo
cavalco il lessico verso chi tenta di sfumare il mio passato prossimo
un classico, ma in questa direzione trova solo un tempo critico
sopra il campo ritmico gigolò di turno non ne vuole più di fronte
neanche fossi caronte, preparo il mio trapasso su diverse sponde
senza nessuno sconto il viaggio del non-ritorno
faccio volentieri il 3x2 per averne meno attorno
perchè nessuno può bruciare la mia vita
il mio nome scompare come sul bagnasciuga
"mcs act like they don't know"
"just don't understand"
questo è chief $ soci, non pavarotti & friends!
[Phase II]
homicidal on arrival
massacration not survival
termination 'n' devastation
devastation 'n' termination
Rit.
[Chief]
Basta con la plastica,
giù la maschera
il tuo gioco dura poco come la tua vita sulla sedia elettrica
e non c'è tecnica che regge come mille schegge
le mie parole cariche come i quesiti della sfinge
da ogni direzione potenza di fuoco come un plotone pronto all'esecuzione
gira un cannone con una cartina gigante
dentro c'è qualcuno che piange mentre brucia lentamente.
[Huda]
Alte le mura che mi separano dal costo
profonde le radici che mi legano al contesto
che di stile mi contagia come un'epidemia
divento ciò che il mondo non vuole che io sia
il mio credo non ha prezzo, il mio silenzio è caro
in tasca cash ma in bocca un sapore amaro.
[Phase II]
??
why'd you wanna play the role?
and i got love agose the cohose the pose and knows
they even got no souls
i'm goin' in the death and that and yes i rhyme the best
time for the life i live
so been the gots to play the gots to pay
and pain it's all i gots to give
[Phase II]
homicidal on arrival
massacration not survival
termination 'n' devastation
devastation 'n' termination
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