[Day one] Asleep mid sentence the words fell apart. No one is listening
anyway. This day will soon turn black and my wants and needs will spill
on my burning ashes. I learned to be selfish today...I learned to be
alive. These things I care for are for my personal gain and my person
happiness only. Why should I sit in your chairs and satisfy your
standards. I've done it all before and I've confused myself a thousand
times. The tragic day that I call morality just doesn't do it for me
anymore. No more choices, just standing in the cold. The day will turn
black and I will have either lived or died. Asleep mid sentence my words
fall to the ground. Swept into this dreamland. Economic satisfaction,
never succeed. But happiness has its place. Justice will not lie in your
corner. New day towards death, only compassion for my own needs make my
need necessary.
[Day two] Throw myself in the corner; I have nothing to complain about
here. A tragic day seems too peaceful to most, spoiled ambitious turned
my heart to black. I'm figuring out this realization process the process
to never look upon bitter ground. Living dreams, loving dreams, awakening
to what I've always dreamt of. The familiar sound of lovely love from the
love of my life will keep the notes coming. From the reciting of the
show, from the plip and the shevanel, from the grind that annoys, and the
season they hate...forever I worship. I'll kill, love, and hate for all of you.
Thank you for the best part of my life.
Between The Buried And Me is a progressive metal quintet from North Carolina, known for their wide-ranging fusion of genres that spans from soft rock to jazz. Their name originates from a lyric in the Counting Crows song "Ghost Train": ".Took the cannonball down to the ocean, Across the desert from the sea to shining sea, I rode a ladder that climbed across the nation, Fifty million feet of earth between the buried and me.". Active since 2000, BTBAM has released a prolific discography of albums that have helped define the contemporary progressive metal landscape. Among their most representative works are "Colors II" (2007), "The Great Misdirect" (2010) and "Parallax: Hypersleep Dialogues" (2012). The band is appreciated for its musical complexity, energetic live performances, and influence from diverse musical genres.
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