Giordana Angi

Lyrics Ne renonce pas Giordana Angi

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Ne renonce pas


Et l' âme ne renonce pas
À tout ce qu'on a
Je te cherche dans les rues
Mais tu ne me voie plus
E l' anima si attacca
Spara baci e scappa
Le tue labbra come un mitra su di me
Quando non riesco a staccarmi
Quando non riesco a staccarmi
Tu giochi ancora e mi riprendi
E l' âme ne renonce pas
À tout ce qu'on a
Je te cherche dans le rues
Mais tu ne me voie plus
Le lacrime sul viso
Si bagnano con noi
Vorrei chiederti se
Hai finito di scappare
Et l' âme ne renonce pas
À tout ce qu'on a
Je te cherche dans le rues mais tu ne me voie plus
J'ai eu du temps pour te chercher
Du temps pour te perdre et te retrouverJ'ai tout compris, j'ai rien pris, j'ai tout perdu et rien pigé
Où es tu quand j'en veux encore er
Où es tu quand le temps est un effort?
Mon corps brisé qui trote qui te sens et dans quel sens
Si ce n'est pas avec toi j'ai eu du temps pour te chercher
J'ai eu du temps pour te perdre
E l' âme ne renonce pas
À tout ce qu'on a
Je te cherche dans le rues
Mais tu ne me voie plus
E l' âme ne renonce pas
À tout ce qu'on a
Je te cherche dans le rues
Mais tu ne me voie plus

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The lyrics NE RENONCE PAS of GIORDANA ANGI is also present in the album Casa (2019)

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Biografia

Giordana Angi is an Italian singer-songwriter and record producer, born in Rome but raised in France. Her music blends elements of pop, soul, and folk, creating a unique and engaging sound. After studying singing and piano, Giordana began her musical career by releasing independent singles that gained success online. In 2019 she signed with a record label and released her debut album, "Il mio nome è Giordana", which received excellent reviews from critics. Among her most well-known songs are "La mia vita", "Senza te" and "Un nuovo giorno". Her music is characterized by introspective lyrics and catchy melodies, exploring themes such as love, loss, and self-discovery. Giordana Angi stands out for her powerful and versatile voice, capable of transitioning from delicate tones to more intense notes.

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