Yeah, yeah
Stalk to the dollar tree
Capitalistic lung, momma, can I breathe?
This reality square
You're the nightmare next door
Yeah, I thought I knew you well
Farewell, are we going to another hell?
I know, you know, we're doomed
I know, you know, we're doomed
Blow a cloud, mushroom
Just to make room
Heard on the news, they coming through
So many forces at play
So many forces, don't play
Hello? Yeah
Don't play
Product of it, fire
Niggas buggin'
Niggas buggin', fuckin' wakin' up inside
Tag on the face, nobody can hide
I can't trust 'em if we ain't ?ye to eye
No ?ye, facts
Skin and my soul be black
Run laps to get out that track
Run around, look at that, look at that
[?] willin', you can't tell where we at
You don't know where we at, really
Night terrors creep from the cracks
Learning to the path I know
Dust to the bone, no rose
Who crossin', peekin' inside too close
Like my neighbor watching
Few condiments by the mirror
Talk in to a convo, I got lost in, shit
The lyrics OBSIDIAN of MOOR MOTHER is also present in the album Black encyclopedia of the air (2021)
Moor Mother, pseudonimo di Camae Ayewa, è una poetessa, musicista e attivista statunitense nata nel 1986. Il suo stile afrofuturista fonde spoken word, poesia, jazz e rap, creando un'esperienza sonora unica che esplora temi sociopolitici e di identità nera. Le sue performance sono caratterizzate da testi incisivi e potenti, spesso incentrati sulla lotta per i diritti civili, la giustizia sociale e l'empowerment delle comunità marginalizzate. Ayewa si ispira a figure iconiche come Patti LaBelle, Public Enemy, Beastie Boys, Malcolm X e Maya Angelou, integrando le loro influenze nel suo lavoro. Tra i suoi album più importanti figurano "Fetish" (2018) e "Black Encyclopedia of the Air" (2020), entrambi accolti con grande apprezzamento dalla critica. Moor Mother è considerata una voce importante nella scena musicale contemporanea, capace di unire arte e attivismo in modo potente e coinvolgente.
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