That's the dead clock
Venus coming, the people's time
No more master's clock
We travel space waves
What the fuck you say
Fuck you say
We can
We didn't let him out
The haunting's real
They tried to sneak me out
I couldn't scream or shout
All i could do was stare
Make my great escape
That i was never there
And you don't fucking care
And you was never there
And when the beast came
It was the coldest winter
Love couldn't move
Couldn't even whisper
They tried to take me out
They tried to take me out
Sharks in the drought
Cameras all about
But y'all was never there
And y'all don't fucking care
Yeah you're body's here
And your memory's faded
That's the dead clock
We travel space waves
What the fuck you say
Fuck you say
Fuck you say
I can't hear you
Yeah i need strength
Now we can all die in the name of
Neck-broke, head
So so fucking slow
Now
So so fucking slow
Moor Mother, the stage name of Camae Ayewa, is an American poet, musician, and activist born in 1986. Her Afrofuturist style blends spoken word, poetry, jazz, and rap, creating a unique sonic experience that explores sociopolitical themes and Black identity. Her performances are characterized by incisive and powerful lyrics, often focusing on the fight for civil rights, social justice, and the empowerment of marginalized communities. Ayewa draws inspiration from iconic figures like Patti LaBelle, Public Enemy, Beastie Boys, Malcolm X, and Maya Angelou, integrating their influences into her work. Among her most important albums are "Fetish" (2018) and "Black Encyclopedia of the Air" (2020), both critically acclaimed. Moor Mother is considered a significant voice in contemporary music, capable of uniting art and activism in a powerful and engaging way.
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