Tystnaden

Lyrics The joke Tystnaden

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The joke


What I see with my eyes
A crimson light that strokes my body
I feel the king of my world
All is mine my warriors screaming my name

I'm the queen of my empire
All my words are law
Reflecting my face on their shields
But suddenly the dark...

A blue light shines near me
The mirror twists my face

Tears are running down my sad face
So I wonder where my world is gone now
Fears are running down my sad soul
So I wonder where my world is gone now
I faint into this force

I wake up too far from the light and my terror brings me
That place where I've been before, it was created by my twisted mind
I realize I don't own anything of my world, a cruel joke

What I've seen with my eyes
It completely turns to sand and now
What I want from you is silence
So this stone will be the one to remain

I wonder where my world is gone
I faint into this force

Rise, beyond the sky, and sit to arise the deeps in my mind
Rise, beyond the sky, and sit to arise the deeps in my mind, I burn my
Crying, scream to the eyes that look at my row, we're dying everyday in this war

I wake up too far from the light and my terror brings me
I'm the warrior in a battle of another world
I realize that my name is on their mouth,
On you
I know that I'm the queen and king of my world

Now I wonder and ask the reasons why
Do I have to leave my armour on my path &
This is me

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The lyrics THE JOKE of TYSTNADEN is also present in the album Sham of perfection (2006)

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Biografia

Tystnaden (The Silence) is a 1963 film directed by Ingmar Bergman, the final installment of his so-called Trilogy of God's Silence, which began in 1961 with Through a Glass Darkly and continued the following year with Winter Light. The film tells the story of a group of monks living in a remote medieval abbey who grapple with existential doubts and the difficulties of faith. The film explores themes such as solitude, religious doubt, the search for meaning in life, and the impossibility of achieving true inner peace. Bergman uses a powerful and evocative visual language, characterized by long silences, static shots, and a monochrome photography that contributes to creating a dark and introspective atmosphere. The film was met with great critical acclaim and is considered one of Bergman's masterpieces.

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