Oh the bright young man in the tight-buttoned suit
The light beams out from capped smiles to the shines
On their lick-spittle books
Oh these sharp young sparks with their fresh rosettes
Yeh, the artful ways that they promise the earth
To all suffragettes -
What they won't promise we don't know yet.
They say they're build - and shaping society
But we know they're just saving for their own
Safe home in politics
Anything goes: look at them run.
Come from every side, noses Pinocchio clean;
Lock in synchromesh, oil the wheels and the gears
Of the party machine.
And the final goal is a cabinet seat...
In the trappings of power, the presumption to speak
For the man in the street.
Once they move in, they're in for good;
Yeh, once they get that bed made it's a
Safe home in politics.
Jobs for the boys: look at them run.
There's just one thing none of us should forget:
A political man is just in it for the power
And the smell of sucess.
Sure, some start out as idealists -
Pretty soon they all cop for ideal careers and
A safe home in politics,
A cusky job in politics;
Look at them run.
The politicians fight it out on the couning tower
But they all agree not to rock the boat.
A safe home in politics
It's built on your vote
Peter Joseph Andrew Hammill (born August 19, 1948) is a British singer-songwriter, keyboardist, and multi-instrumentalist, best known for being the frontman of Van der Graaf Generator and his prolific solo career. Hammill began playing music at the age of seven, influenced by artists like Bob Dylan and The Beatles. In 1967 he formed Van der Graaf Generator, a progressive rock band that achieved great success in the 1970s with albums such as "Pawn Hearts" (1972) and "Godbluff" (1970). Hammill is known for his unique, powerful, and theatrical vocal style, often accompanied by complex and introspective lyrics. After the first dissolution of Van der Graaf Generator in 1978, Hammill continued to record music under his own name, releasing over 30 albums throughout his career. Some of his most representative tracks include "A Plague of Lighthouse Keepers" (1973), "Man-Erg" (1976) and "The Silent Corner and the Empty Stage" (1982). His music is characterized by a dark, melodic, and often experimental atmosphere, with influences ranging from progressive rock to jazz fusion. Hammill has collaborated with numerous artists, including David Sylvian and Robert Fripp.
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