[DeFrancesco / Sly]
As the misty morning clears on another day
All alone I wait for the final call
Bought the big ticket, got to ride that train all alone
All hope for freedom is lost and my back's against the wall
Flesh and blood is all that remain to get me through it all
Dignity stripped away, the human cloak is frail
Tagged with a number, the human baggage of the world
Living on memories
I can't break free
I can't escape those wasted days
Living on memories
I can't escape the wasted days
I stare into the mirror but the face I'm seeing is not my own
My life flashes by me now, the years they pass like days
I don't belong in this hardened world
Hey, take a look at me, I'm not the same
Looking back into the mirror, I hear it whisper my name
Living on memories
I can't break free
I can't escape the wasted days
Living on memories
I can't escape those wasted days
No more pain from the world inside
Still can't escape those wasted days
Living on memories
I can't break free
I can't escape the wasted days
Living on memories
My back's against the wall
(Living on memories)
Can't escape those wasted days
(Living on memories)
As the sun rises slowly on another day
They've come to take me away
Mortal Sin is an Australian thrash metal band formed in Sydney in 1985. Considered one of the most important bands of the Australian thrash movement, they helped define the aggressive and fast sound typical of the genre. Their musical style is characterized by fast and distorted riffs, powerful drums and lyrics often focused on themes of violence, social criticism and disillusionment. Among their most representative songs are "The Hammer", "Bloodlust" and "Death Before Dishonor". Mortal Sin have released several studio albums, including their self-titled debut album in 1987 and "World of Pain" (1989), considered a classic of Australian thrash metal. The band has collaborated with other important artists of the genre, such as Venom and Slayer. After a break in the 1990s, Mortal Sin reunited in 2000 to continue playing and recording music.
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