Cae la tarde en los sauces
a la orilla del canal,
la luz cumbreña derrumba otra vez
en la montaña un imperio de sol,
todo el paisaje parece decir adiós
por esa luz que se va.
Venga la luna del otoño
sube y sube el arenal
sobre las viñas derrama su luz
luna de marzo, rocío y canción
me va pisando la sombra porque me voy
peinando la soledad.
Cómo olvidar el agua
que andaba en la acequia regando tonadas
cuando eras leyenda, Mendoza mía,
bajo el cielo enorme
de luz zurriaga.
Hoy se quedó en la ausencia
y el corazón no sabe decir adiós.
Cuando te piense de lejos
patria verde del lagar
volveré niño aromado de amor
al viento brujo del cañaveral
Iré a hondazos de sueños por el canal
mirando el adiós pasar.
Nadie se va de Mendoza
aunque piense que se va.
Madre es la tierra y el hombre raíz
árbol que crece en la paz estival
quedó durando en tu sangre porque yo soy
guitarra que volverá.
Haydée Mercedes Sosa (1935-2009) was an Argentine singer, considered an icon of Latin American popular music. Born in Tucumán, she began her career in the 1960s singing folk and traditional Argentine songs. Her powerful and emotive voice, along with her dedication to the fight for civil rights and peace, made her a prominent cultural and social figure in Argentina and worldwide. Sosa distinguished herself by interpreting songs by songwriters like Atahualpa Yupanqui and Víctor Jara, but she also composed some of her most famous songs, such as "Gracias a la vida" and "Alfombra verde". During the Argentine military dictatorship (1976-1983), Sosa openly opposed the regime, going into exile in several countries. After the fall of the regime, she returned to Argentina and continued to sing until her death in 2009. Mercedes Sosa is remembered as a powerful and unforgettable voice that has inspired generations of musicians and activists.
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