La balanza se rompe en un mundo incoherente,
la justicia se cae muerta. La paciencia se acaba
destruyendo la alma, la respuesta se esconde
lejos, Poco tiempo le queda a este pobre planeta
que soporta y resiste tanto. El presente improvisa
con muy pocas ideas, va sacando basura fuera.
Lo que se ve no es en verdad la realidad, nuestros
ojos nos engaýan. Pura ambici÷n y mentiras nos
dan para que no podamos pensar, pura
ambici÷n y mentiras nos dan para que no molestemos.
Quien pueda ver sabr demostrar como hacerlo.
La paciencia se acaba destruyendo la calma,
la respuesta se esconde lejos. Poco tiempo le queda
a este pobre planeta que soporta y resiste tanto.
Lo que se ve no es en verdad la realidad nuestros
ojos nos engaýan. Pura ambici÷n y mentiras nos dan
para que no podamos pensar, pura ambici÷n y mentiras
nos dan para que no molestemos. Quien pueda ver
sabr demostrar como hacerlo.
The lyrics CAMOUFLAGE of A.N.I.M.A.L. is also present in the album Poder latino (1998)
A.N.I.M.A.L., acronimo di "Acosados Nuestros Indios Murieron Al Luchar" (Harassed, Our Indians Died While Fighting), è stata una band argentina di groove metal attiva dal 1989 al 2007. Considerati uno dei gruppi più importanti del genere in Argentina, A.N.I.M.A.L. ha saputo coniugare sonorità heavy metal con influenze latine e ritmiche sudamericane. Il loro stile musicale è caratterizzato da riff pesanti, melodie accattivanti e testi politici che affrontano temi come la lotta per i diritti indigeni e l'oppressione sociale. Tra le canzoni più rappresentative si ricordano "El Último Hombre", "La Revolución" e "No Hay Futuro". L'album di debutto "Animal" (1992) ha segnato un punto di svolta nella scena metal argentina, mentre "En Vivo Desde El Teatro Gran Rex" (1996), registrato durante un concerto al Teatro Gran Rex di Buenos Aires, è considerato uno dei migliori live album del genere. A.N.I.M.A.L. ha collaborato con artisti come Sepultura e Metallica, contribuendo a diffondere la musica metal argentina a livello internazionale.
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