C’era nu vecchiu minignu scattecchiu
che teneva nu campu minignu scattagnu
e trova nu lepore minepore scattepore
e piglia lu lepore minepore scattepore
e lu porta a la vecchia minigna scattecchia
e je disse: “0 vecchia minigna scattecchia
te portu lu lepore minepore scattepore
e mettilu de drend’a la pigna minigna scattigna”
Allora sta vecchia minecchia scattecchia
mette lu lepore minepore scattepore
drend’in da la pigna menigna scattigna
e se ne va lu sole cu l’autre
Quannu che va là lu gattu minignu scattacchiu
ch’ave’ magnatu lu lepore mlnecore scattecore
de drendo a la pigna minigna scattigna
e ecco che lu marldu se comincia a trillà trilla;
“Ch'ha fattu vecchia minigna scattecchia ih Ih Ih!”
Ma statev’attente e voi d'la poplazione
e ‘mparatev’a legge e a scrive pe' difenderve
[dai patrone...
Questa è di Giuseppe Miriello cantastorie di Matera:
tutta la sua vita Miriello ha cantato i “grandi fatti" del
prole¬tariato, che non sono i “grandi fatti” della borghesia.
(Questo fa la cultura di conoscenza
che non è quella del potere:
la cultura di conoscenza è quella contadina,
della classe operala,
del proletariato.
E i “grandi fatti” del proletariato
sono gli scioperi,
le occupazioni delle case, delle fabbriche, delle terre,
le stragi della polizia di Sceiba, di Tambroni,
i fatti di Milano
e tutte quelle altre maledette manovre del potere
a cui abbiamo assistito in questi anni).
Le sue canzoni Miriello le comincia sempre dicendo
“e lu mnestre Colombre”,
anche se Colombo non c'entrava niente,
ma è una sorte di maledizione generale con la quale gli
piace di incominciare.
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