parlato: Tribunale di Milano, dipartimento 137: in base all’articolo 431 del codice civile si assegna la bambina alla custodia della madre fino all’età di sette anni.
Suonare al tuo cancello,
una carezza al cane,
vedere un cameriere,
la mia bambina è pronta.
E’ sempre ben vestita,
le scarpe belle nuove,
anch’io con la cravatta,
la barba appena fatta.
Il sole del mattino
e dopo al luna-park,
ai giardini, allo zoo
a vedere gli animali.
parlato: Che cosa ci faccio io qui? Che senso ha? Il padre non sono io, certo io l’ho fatta ma il padre è chi le sta insieme. A cosa serve questo affetto? A me forse ma a lei? A lei no di certo.
Vieni un momento qui
mi sembri un po’ accaldata,
su alzati da terra,
ti sei tutta sporcata.
Ti prego sta un po’ ferma
sei sempre in movimento,
dai siediti un po’ qui,
ascoltami un momento.
parlato: La mia bambina ha tutto anche l’affetto, quello vero, quello di tutti i giorni. Che ci vengo a fare io qui tutte le domeniche inchiodato su una panchina a fare il mestiere del padre? Ma chi me l’ha ordinato? La morale? La coscienza? Chi? Sarà come tagliarsi un braccio, va bene me lo taglio!
Adesso vieni qui,
dobbiamo andare a casa,
su cerca di ubbidire
non fare la spiritosa.
Ti prego sta un po’ ferma
non riesco ad allacciarti,
son già quasi le sette
e devo accompagnarti.
Suonare al tuo cancello,
una carezza al cane,
vedere un cameriere,
ridargli la bambina.
Le scarpe gliele ho tolte,
al parco è scivolata
ma non s’è fatta niente,
s’è solo un po’ sporcata.
Un uomo alla finestra
che si intravede appena,
la chiamano in salotto
è già l’ora di cena.
parlato: Si, domenica, va bene, domenica alla stessa ora.
Giorgio Gaber (pseudonym of Giorgio Gaberscik; 1937-2000) was an Italian singer-songwriter, playwright, actor, cabaret artist, guitarist and theatre director, considered one of the most important artists in Italian entertainment and music since the Second World War. Born in Milan to a family of Slovene origin, Gaber approached music at a young age, performing in Milanese venues and collaborating with some jazz musicians. In 1960 he debuted as a singer-songwriter at the Sanremo Music Festival with the song "Il mio nome è", achieving modest success. Throughout the 1960s and 1970s, Gaber established himself as one of the most original and innovative singer-songwriters on the Italian scene, characterized by committed lyrics and experimental musicality. He collaborated with various artists, including Enzo Jannacci and Gino Paoli, and participated in numerous music festivals. Among his most representative songs are "La canzone del sole", "Il mio amico", "L'uomo che non c'è" and "Non ho paura". Gaber also dedicated himself to theatre direction, staging both his own works and those of other authors. His artistic career was marked by a strong social and political commitment, expressed through his songs and theatrical performances. Giorgio Gaber died in Milan in 2000 at the age of 63.
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