E poi non sono soltanto le idee che si devono digerire: anche le cipolle!
Mia madre da bambino mi picchiava. M’è rimasto un peso sullo stomaco, una cipolla. Non mi va ne su ne giù. So che se la digerissi mi farebbe anche bene perché non è detto che una cipolla ti faccia male, se la capisci, butti via quello che non serve e tieni la sostanza.
Mia madre voleva molto bene a mio fratello, simpatico mio fratello, piace anche alle donne.
Che peso lo stomaco. Deve essere una cosa importante la digestione. Ho provato anche a metterlo un po’ da parte il peso, le cipolle, come se non ci fossero: qualche foruncolino.
Mia madre per le indigestioni mi dava sempre la limonata Rougier. Era molto buona quand’ero malato, mia madre s’intende. Mio fratello non si ammalava mai, era sano, e mia madre lo accarezzava, accarezzava anche me mia madre.
Non mi va giù. Potrei anche vomitare, ma vomitare non serve è come non mangiare, si, lo so, l’importante è digerire, devo digerire!
Coro: Mangiare. Mangiare per non morire ma digerire. Digerire.
Certo, certo, la cipolla infanzia formato mamma, formato fratello, formato Gesù si può anche digerire. Un po’ di nausea, un po’ di stitichezza ma poi vai. E’ che più avanti vai più ti trovi di fronte a certi cipolloni!
Coro: Mangiare. Mangiare per non morire ma digerire. Digerire.
Fate tutto facile voi. La mia vita è piena di cipolle. Anche lo stomaco non fa in tempo: cipolla scuola, cipolla lavoro, cipolla sesso, dai giù, giù.
Coro: Mangiare. Mangiare per non morire ma digerire. Digerire.
Va bene. Scuola, lavoro, sesso posso anche digerirli, che poi c’è da vedere, ma con la cipolla esistenza come la mettiamo? Non so, dico… un dolore di quelli grossi tipo cipolla famiglia, che fai? Niente, non ne vieni fuori.
Giorgio Gaber (pseudonym of Giorgio Gaberscik; 1937-2000) was an Italian singer-songwriter, playwright, actor, cabaret artist, guitarist and theatre director, considered one of the most important artists in Italian entertainment and music since the Second World War. Born in Milan to a family of Slovene origin, Gaber approached music at a young age, performing in Milanese venues and collaborating with some jazz musicians. In 1960 he debuted as a singer-songwriter at the Sanremo Music Festival with the song "Il mio nome è", achieving modest success. Throughout the 1960s and 1970s, Gaber established himself as one of the most original and innovative singer-songwriters on the Italian scene, characterized by committed lyrics and experimental musicality. He collaborated with various artists, including Enzo Jannacci and Gino Paoli, and participated in numerous music festivals. Among his most representative songs are "La canzone del sole", "Il mio amico", "L'uomo che non c'è" and "Non ho paura". Gaber also dedicated himself to theatre direction, staging both his own works and those of other authors. His artistic career was marked by a strong social and political commitment, expressed through his songs and theatrical performances. Giorgio Gaber died in Milan in 2000 at the age of 63.
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