SSSSHHH-AAAH!
SSSSHHH-AAAH!
'SSSSHH'... Non si respira!... Manca l'aria!
Ahhh... Una bombola, una bombola grigia, bella, col bocchettone...
Sssshhh... Caro signore, oso dire in tutta coscienza che lei avrà modo di convincersi della piena convenienza e sensatezza nel seguire le mie indicazioni e i miei consigli!...
Ahhh... sono un amatore di bombole grigie... con bocchettone...
Non si respira... manca l'aria... c'è come... una cappa, non si sa perché...
Sssshhh... strano, eppure si può far tutto, siamo liberi, abbiamo raggiunto il benessere, ogni quattro-cinque anni si vota, si fanno le olimpiadi, tutto normale, se c'è qualche guerra è per far star meglio gli altri....
Aaahh... tutto perfetto... manca un po' l'aria... c'è come... una bombola... ci vuole una bombola...
Sssshhh... Ho provato anche con lo iodio, la mattina, sul mare... ma ci sono gli asmatici...
Aaahh... antipatici... presuntuosi, intuititivi, artisti... dicono che sono stati i primi a non respirare...
Sssshhh... una volta c'era un'altra aria, sopra... tutti più o meno potevano respirare... gli asmatici, no!... Devo riconoscere che sono all'avanguardia... non mi interessa... rimango un amatore di bombole grigie, con bocchettone...
Sssshhh... Vede, mio caro signore, il respiro più è difficile, più è un'arte. Un determinato comportamento che per un praticante avventizio potrebbe apparire difficile, bocchettone a valvola d'argento "enfisema uno", diviene estremamente semplice quando colui che lo attua occupa un posto di intelligenza e di esperienza nella nostra comunità asfittica! Hhhhhh! Hhhh!
Questa tecnica più moderna di respirazione distrugge le meschine convenzioni dell'aria normale, quella vera, e va considerata dal punto di vista dell'opportunità offertaci di migliorare l'umanità attraverso una meravigliosa bombola grigia bocchettone d'argento "enfisema unooo"!!! Hhhhhh!!!
A questo punto mio caro signore, per i nostri interessi i costruttori di bombole non hanno esitato a mettere da parte tutte le sorpassate precedenti esperienze per rinnovarsi e prospettarci così in tutta onestà verso i nostri bisogni la favolosa superbombola grigia bocchettone d'oro "enfisema dueee!"
Hhhh-aaahh!
Hhhh-aaahh!
Hhhh-aaahh!
Coro: Hhhh-aahh!
Hhhh-aahh!
Hhhh-aahh!
Giorgio Gaber (pseudonym of Giorgio Gaberscik; 1937-2000) was an Italian singer-songwriter, playwright, actor, cabaret artist, guitarist and theatre director, considered one of the most important artists in Italian entertainment and music since the Second World War. Born in Milan to a family of Slovene origin, Gaber approached music at a young age, performing in Milanese venues and collaborating with some jazz musicians. In 1960 he debuted as a singer-songwriter at the Sanremo Music Festival with the song "Il mio nome è", achieving modest success. Throughout the 1960s and 1970s, Gaber established himself as one of the most original and innovative singer-songwriters on the Italian scene, characterized by committed lyrics and experimental musicality. He collaborated with various artists, including Enzo Jannacci and Gino Paoli, and participated in numerous music festivals. Among his most representative songs are "La canzone del sole", "Il mio amico", "L'uomo che non c'è" and "Non ho paura". Gaber also dedicated himself to theatre direction, staging both his own works and those of other authors. His artistic career was marked by a strong social and political commitment, expressed through his songs and theatrical performances. Giorgio Gaber died in Milan in 2000 at the age of 63.
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